Having established his name in the Spider-Man movies, these days James Franco is clearly making some more personal career choices. He was in three films in 2008, notable for their vastly different styles. His extended cameo as Richard Gere's son in the weepy Nights in Rodanthe, based on the Nicholas Sparks novel, was followed by two far less forgettable roles; opposite Seth Rogen in Pineapple Express (for which he received a Golden Globe nomination) and as Sean Penn's boyfriend in Milk (for which he has been nominated with the cast for the SAG ensemble award).
He says he signed on for Pineapple because it was a chance to work with Judd Apatow and company, whom he knew from his days on the TV series Freaks and Geeks. "We did a lot of goofing around in a kind of constructed way," he says of the film. "It's a lot of improvisation, just letting the camera roll and doing the scene over and over again and seeing what happens. And I loved that!"
When asked to contrast the experiences on the two sets, he stops and thinks. "Milk had its own kind of looseness," he says. "Gus Van Sant has his own approach, and there was the freedom to try different kinds of things. And Sean really encouraged that too. So it was somewhat improvisational, but what it did was to make the performances more natural. And it may be funny to say, but it was the same with Pineapple. I think that's one of the things that Judd Apatow brings to comedies: there are wacky situations but it feels more emotionally grounded."
Clearly this on-screen naturalism is important to him. He's been studying film at New York University, and chooses five favourites that are all firmly rooted in authenticity...
Gimme Shelter (1970, 100% Tomatometer)
It's just amazing. I've been watching all of the Maysles Brothers' films and I'm really into their approach, which they called "direct cinema", and the whole school that came out of DA Pennebaker, Robert Drew and so on. I love the whole idea that life can be as dramatic as fiction. It's very different than reality television, because that's very manipulated.
The Maysles' approach is minimal interaction and being as observational as possible. Gimme Shelter has such drama, and it's so well-done. As are all of their films.
I also love Salesman, which also proves that their philosophy can really work, because it just has these real Bible salesmen. But to me it has as much drama and tension as Arthur Miller or Eugene O'Neill - it's like the Death of a Salesman and The Iceman Cometh all rolled together - but it's real! I just can't get enough of it.
My Own Private Idaho (1992, 85% Tomatometer)
Even before I started acting, this was a very important film to me. Obviously I was really drawn to the performances and characters, but the whole film just kept bringing it back.
Gus has changed his style somewhat beginning with Gerry and all this Bela Tarr and Chantal Akerman influence, which I love too. But back then it was really about collage.
Idaho actually started as three different projects - three scripts - through Orson Welles' Chimes at Midnight, which was a distillation of Shakespeare, and this other story about street kids in Portland, and then something else about a kid finding his parents in Italy. And then this whole narcoleptic thing that was influenced by George Eliot. He's got all that just in the script, and then there's the way it's shot - he had two DPs, plus time-lapse for the cloud sequences and 8mm for the dream sequences.
I love all of Gus' movies. I think Drugstore Cowboy is a hilarious movie. I love how he can take a situation like that and make it funny. I think Matt Dillon gives one of the best comedic performances in that movie. Gus is taking a very personal approach in the film - from the look of Bob Yeoman's cinematography to the way Gus captures Portland on screen.
The Bicycle Thief (1948, 95% Tomatometer)
All of my favourite films are approaching realism in a different way. This is Italian neorealism - obviously there's a script and a story and everything, but it's shot in the street and it has the feel of Italy, of being in the streets and, like Idaho, a deceivingly, simply constructed narrative. But there's so much emotion that's evoked from these very simple stories.
4 Months, 3 Weeks and 2 Days (2008, 97% Tomatometer)
Again, a very simple approach, but there's so much power in that film. You're not quite sure what's happening from the beginning, but you're just kind of thrown into it. All you know is that these women have this mysterious meeting, and it takes you from there. The film gives you a great sense of what it was really like to live in Romania in the 1980s.
The Wrestler (2008, 98% Tomatometer)
I loved this film! I really like the films of the Dardenne Brothers, like The Child and The Son, and I'm sure The Wrestler was influenced by the Dardennes, especially in the beginning when the camera is following the back of Mickey Rourke's head through the hallways.
I know Darren Aronofsky a little bit, and I remember meeting with him just when The Fountain was coming out, and he told me to look at the Dardenne Brothers because they were doing some really good stuff, so I know he's a fan.
Milk opens in UK on Friday and in Australia on 29th January. It's out now in the US.
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ghostbear91 writes: on Jan 21 2009 02:08 AM the wrester is pretty fantastic. Thought Franco was fantastic in Pineapple Express. (Reply to this) |
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~*Admiral Snowstorm*~ writes: on Jan 21 2009 03:41 AM Quite a good list, got a little weak at the end, though. I would never have guessed that Spider-Man 3's antagonist liked The Bicyle Thief and My Own Private Idaho. That's pretty cool. I've always kind of liked Franco despite him never doing much besides being Harry in Spider-Man, and his recent branching out is beginning to justify my inclination. (Reply to this) |
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Shaun McIntosh writes: on Jan 21 2009 04:53 AM See Franco in a TV film about James Dean. He's spectacular. (Reply to this) |
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EIKOH writes: on Jan 21 2009 05:44 AM Freaks and Geeks is one of the Greatest Television Shows ever, and everytime Franco is on screen, he knocks it out of the park. (Reply to this) |
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LordVapor writes: on Jan 21 2009 05:54 AM Good article, Franco is hilarious in pineapple, and also on funnyordie.com. Great stuff, and a nice article. (Reply to this) |
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iamtheseagull17 writes: on Jan 21 2009 08:55 AM In reply to this comment (#2270463) Admiral Snowstorm, James Franco hasn't just begun "reaching out"-he's been a hard working member of the film industry for quite some time (how many golden globes do YOU have?), so just because you havent seen him in anything else doesnt make him less of an actor (Reply to this) |
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blattman writes: on Jan 21 2009 08:57 AM Franco was by far the best part of Pinapple Express. I am going to have to get around to seeing The Bicycle Thief. That is twice this week it came up in a favorites list. I don't have a problem with subtitiles, but excessive reading just makes me sleepy. (Reply to this) |
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ledawg1138 writes: on Jan 21 2009 09:19 AM Man, very deep films. (Reply to this) |
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nathanpoitras writes: on Jan 21 2009 09:39 AM That's probably the best list anybody ever posted in "5 Favorite Films with.." article. Every title is awesome! (Reply to this) |
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jokerboy1991 writes: on Jan 21 2009 10:34 AM Great list. Franco is awesome. This past year I totally started to like him a lot. Pineapple Express was awesome, he was great in Milk even though I didn't love that movie, and I finally saw Freaks and Geeks. So now I think Franco is cool and not the jerk from Spiderman. (Reply to this) |
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DarthWonka writes: on Jan 21 2009 12:38 PM Alright. We're going to play a game called, "Don't Ignore Me, This Time." James Franco for Joker. That is all. (Reply to this) |
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spinne1 writes: on Jan 21 2009 01:01 PM It is obvious that Mr. Franco and I don't share movie tastes, but I love him as an actor. He was great in the little seen Whatever It Takes. I think the movie is great and the stars very appealing, especially Marla Sokoloff. She is incredibly attractive. Franco is brilliant in the movie. He is good in everything he does and also like was mentioned, was perfect as James Dean. He was great in Flyboys (the French girl in that movie---oooh la la!!!!!!), and Tristin and Isolde. Great actor. (Reply to this) |
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Hamboner writes: on Jan 21 2009 02:25 PM James Fanco as Joker? I mean... I don't have a better suggestion. But I'm not sure that would be the right one. (Reply to this) |
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tomwaitsjr writes: on Jan 21 2009 02:53 PM He reminded me of a great film teacher I had when discussing his 5 favorite films. Good job! (Reply to this) |
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ledawg1138 writes: on Jan 21 2009 03:33 PM DarthWonka, no. It's going to be a decade or two before the Joker comes back to cinema, and if anyone had to play the Clown Prince of Crime it should be, in all seriousness... Paul Reubens. And if not him, a reprise by Mark Hamil. Mark Hamil was great as The Joker. And Reubens would just have to be a little less evil as the Joker than he is himself. (Reply to this) |
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ColinTheCimmerian writes: on Jan 21 2009 07:12 PM DarthWonka, I could see that. One of the better suggestions I've heard, actually. ledawg, I'm not so enthusiastic about your choices. I don't think either Reubens or Hamill really have the acting chops. Hamill is a talented voice actor and did a good job as Joker in the 90's animated series, but he's rarely that good in his live action work. Beyond that, they're both getting pretty old; older than Nicholson was when he took his turn, and I felt even he was pushing it. But, who knows, maybe they could work. (Reply to this) |
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ChronoSpark writes: on Jan 21 2009 10:10 PM Franco surprised the hell out of me in both Pineapple Express and in Milk. I didn't think he was really anything special in the Spider-Man movies, so I wasn't expecting much from either of those two films. Boy, was I wrong. I think Franco definitely deserves an Oscar nomination for one or the other of them. And if Heath Ledger wasn't in the race at all, he'd probably be my choice for Best Supporting Actor. (Reply to this) |
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ledawg1138 writes: on Jan 21 2009 11:04 PM Maybe they are too old, but it's just a suggestion. Anyway, there's not gonna be a Joker in the next film anyway. (Hopefully.) (Reply to this) |
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ColinTheCimmerian writes: on Jan 22 2009 09:17 AM Well if they're covered in face paint the whole time, I guess age isn't such a factor. I'd still prefer Franco, personally. Agreed that it's unlikely we'll see the Joker in the next movie, at least not in more than a cameo capacity. I'm rooting for Bane as the next villain actually (a proper portrayal, not as a meat-head goon like in Batman and Robin), assuming Two-Face really doesn't return. (Reply to this) |
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ledawg1138 writes: on Jan 22 2009 03:39 PM Two Face won't. Sad really. (Reply to this) |
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