The Women has a cast to die for – Meg Ryan, Annette Bening, Candice Bergen, Carrie Fisher – in a film that dies before our eyes.
The Women (2008)
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Reviews Counted:142
Fresh:18
Rotten:124
Average Rating:3.9/10
Consensus: The Women is a toothless remake of the 1939 classic, lacking the charm, wit and compelling protagonists of the original.
Rated: 12A [See Full Rating] for sex-related material, language, some drug use and brief smoking.
Runtime: 1 hr 54 mins
Genre: Comedies
Theatrical Release:12-09-2008
Synopsis: Packed with an all-star cast, Diane English's (MURPHY BROWN) contemporary version of THE WOMEN showcases the talents of Annette Bening, Meg Ryan, Jada Pinkett Smith, Candice Bergen, and Debra... Packed with an all-star cast, Diane English's (MURPHY BROWN) contemporary version of THE WOMEN showcases the talents of Annette Bening, Meg Ryan, Jada Pinkett Smith, Candice Bergen, and Debra Messing. Like the 1939 original, the film deals with the relationships among a close-knit group of female friends, who, when their marriages fail and their lives are on the verge of falling apart, turn to each other for support. On the surface, Mary (Ryan) appears the happiest of the bunch, but her life changes instantly when her best friend Sylvia (Bening) discovers that Mary's husband's having an affair. The actresses frequently appear on screen as an ensemble, exhibiting a relaxed, compelling chemistry. The film feels cluttered at times, but perhaps that is fitting considering how much each female character has on her plate with regards to family, work, marriage, and friendship. Eva Mendes appears as the jaw-dropping beauty who is partially to blame for the fallout of Mary's marriage. As Mary's mother and the voice of wisdom, Bergen delivers the film's best lines with sarcasm, wit, and charm. As in the SEX AND THE CITY movie, the message here seems to be that before finding love with a man, a woman must truly love and know herself. While Mary's high-society social standing enables her to start a fashion line on a whim and makes her self-transformation somewhat easy, female viewers from all walks of life are likely to recognize something relatable in the many women characters driving the film. One nice touch is that while much of the drama surrounds various marital problems, even the cheating husband in question never appears on screen. When you get down to it, the film's most important relationships are between the women themselves. [More]
Starring: Meg Ryan, Annette Bening, Eva Mendes, Debra Messing
Starring: Meg Ryan, Annette Bening, Eva Mendes, Debra Messing, Jada Pinkett Smith, Candice Bergen, Carrie Fisher, Lynn Whitfield, Joanna Gleason, Ana Gasteyer, Debi Mazar, Bette Midler, Cloris Leachman
Director: Diane English
Director: Diane English
Screenwriter: Diane English
Producer: Victoria Pearman, Mick Jagger, Bill Johnson, Diane English
Composer: Mark Isham
Studio: Picturehouse
Reviews for The Women
At least the actors are strong enough to keep us engaged, and they deliver their lines impeccably, from the spicy comedy to the teary drama.
Like real women, this goes on. And on and on. For almost two hours. God, does it go on.
It is difficult to determine whether this adaptation of the old Clare Boothe Luce play, and the 1939 George Cukor film version of it, is a calculated insult to all women or just a poorly directed effort to understand the fair sex.
In a post Ab Fab world, The Women is distinctly Ab Blab - an awful lot of nattering that has little edge.
It's so flat and unfunny it makes Sex and the City sound like Billy Wilder.
Once English has wheeled on Carrie Fisher and – horror of horrors – Bette Midler in a wildly unnecessary cameo, all momentum and fun have emigrated to another planet.
Admittedly, I am a man, but I am partial to a good chick flick. This one made me feel as if I had been trapped in the perfume hall at Selfridges.
As female ensemble movies go, The Women is no Sex and the City, but it remains watchable thanks to strong performances from Meg Ryan, Annette Bening and Candice Bergen.
But the only bit to set red-blooded males’ pulses racing is when Eva Mendes bends over in sexy suspenders.
I want to visit Diane English's world. How much does a spaceflight to the planet HD 209458b cost?
Instead of smart, subtle and snappy, writer/director Diane English goes for the big, loud and brassy.
Transforms George Cukor's witty, bitchy The Women (1939) into a cuddly, weepy big-screen sitcom.
Diane English’s abysmal remake of George Cukor’s 1939 femme classic will have fans of the original growing claws.
Messy construction, trite themes and an endless parade of verbal chestnuts.
What was then snappy dialogue from meowing madams acting out a morality play on everything that stinks about haute society now flaccidly flaps, lost in translation from old world to new.
Diane English's version of "The Women" barely nudges from its Martha Stewart interiors, exchanging insights for platitudes. It's a cup of lukewarm tea, without even a biscuit on the side.
These women, like the movie they're in, are far from perfect, but spending time in their company isn't an entirely unpleasant experience.
This can't be what women want to watch. A film written, directed and starring all women completely misses the mark of embracing strong powerful independent women.
Latest News for The Women
January 21, 2009:
Razzies Name 2008's Worst Movie Nominees
No awards season would be complete without the Golden Raspberry Awards (AKA The Razzies), awarded each year to the very worst movies to hit Hollywood. This year's winners will... More...
January 04, 2009:
Visual Hollywood: The Women is partially salvaged from being endlessly offensive, as the witty and warm ensemble chemistry of these actresses kicks in. ![]()
More...
January 04, 2009:
Iconoclast.com: The Women: Eva Mendes On Pie, Boy Talk And Trying Not To Play Bitchy ![]()
More...
January 03, 2009:
Sex, lies and shopping: An exclusively perky female milieu of smart and sassy, if also frivolously inclined backtalk babes. ![]()
More...
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