This notable, Chicago-filmed comedy was inspired by the true events of director Steve Conrad seeing a store employee at a Chicago chain armed only with a yellow courtesy vest break up some unruly loiterers in the parking lot.
The Promotion (2008)
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Reviews Counted:74
Fresh:39
Rotten:35
Average Rating:5.7/10
Consensus: With a workplace-related theme worthy of satire, The Promotion features some sharp witticisms but ultimately disappoints.
Runtime: 86 mins
Genre: Comedies
Synopsis: THE PROMOTION is a low-key, deader than deadpan comedy-drama that fans of THE OFFICE should love. The film stars Sean William Scott (AMERICAN PIE) and John C. Reilly (TALLADEGA NIGHTS) as assistant... THE PROMOTION is a low-key, deader than deadpan comedy-drama that fans of THE OFFICE should love. The film stars Sean William Scott (AMERICAN PIE) and John C. Reilly (TALLADEGA NIGHTS) as assistant managers dueling for the same promotion within their Chicago-area grocery chain. Doug (Scott) is initially so sure the job is his that he takes all sorts of financial risks to impress his wife (Jenna Fischer); Richard (Reilly) is a transfer from Canada with an addiction to self-help tapes, plus a druggie biker past he needs to keep under wraps as the interview process heats up and the undercutting begins. Writer-director Steve Conrad continues exploring his fascination with how average Americans measure themselves and fight for their slice of the pie, a study he began in his acclaimed screenplays for THE PURSUIT OF HAPPYNESS and THE WEATHER MAN. As a director he's too caustic and straight-faced to be his generation's Frank Capra, but maybe that just reflects the more complex times. THE PROMOTION captures an America in regression, a land where once-certain futures are suddenly up for grabs, and the film's cagey shifts from improv-style comedy to personal drama keep one guessing all the way to the finish line. Sporting a fetching Scots accent as Richard's better half, the diminutive Lili Taylor (I SHOT ANDY WARHOL, THE ADDICTION) steals what scenes she can. The usually extroverted Scott gets props for playing his emotional cards close to the vest this time, but can't match Reilly for hangdog goofball timing. [More]
Starring: John C. Reilly, Seann William Scott, Jenna Fischer, Lili Taylor
Starring: John C. Reilly, Seann William Scott, Jenna Fischer, Lili Taylor, Fred Armisen, Gil Bellows, Bobby Cannavale, Rick Gonzalez, Chris Conrad
Director: Steve Conrad
Director: Steve Conrad
Screenwriter: Steve Conrad
Producer: Steven A. Jones, Jessika Borsiczky Goyer
Composer: Alex Wurman
Studio: Weinstein Company
Reviews for The Promotion
The Promotion edges toward some pretty bleak stuff. Then it steps back and laughs, like an office slacker.
Here's a weird little comedy... Kind of like Clerks in a bigger store, or at least a funny version of Employee of the Month.
Steve Conrad's wry debut takes place in an urban Chicago grocery store, in which an intimate epic of manhood unfolds.
A smart, understated comedy about two assistant supermarket managers making a bid for the one big promotion they both desperately need.
There's something appealingly modest about The Promotion. It's a sweet, human movie.
There's still a lot to like here, but ultimately the movie reflects its hapless hero a little too well. While we're constantly rooting for it to succeed, the finish line seems forever out of reach.
Conrad has the humanity part down. Even if his little film is something of a mess, that counts for something.
It's one of those off-balance movies that seems searching for the right tone.
Although pacing and rhythm of some scenes are wildly uneven, this is a respectable debut behind the camera and a smart independent comedy that needs strong marketing to find the kind of savvy audience willing to give this odd duck a fighting chance.
Fueled by a sense of economic desperation that's all too familiar, The Promotion may wind up being the funniest, timeliest comedy of 2008.
By going easy on everyone, [director Conrad] turns what could have been a searing satire into a lukewarm comedy.
Not much here is funny, the Chicago locations are drab, and the characters, as ordinary as they are, never develop into anything more than premise props.
Despite its gimmicky-sounding premise, The Promotion is, like most of Conrad’s work, less concerned with matters of winning or losing than with man’s sometimes noble, sometimes deplorable, often futile attempts to distinguish himself from the herd.
Latest News for The Promotion
May 25, 2008:
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