Feels entirely true and real.
Nights and Weekends (2008)
Tomatometer
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Reviews Counted:17
Fresh:15
Rotten:2
Average Rating:7/10
Runtime: 79 mins
Genre: Dramas
Synopsis: It's telling that the two acts of this modest and claustrophobic film are set in Chicago and New York respectively, and yet viewers are barely given a glimpse of either city: the main characters,... It's telling that the two acts of this modest and claustrophobic film are set in Chicago and New York respectively, and yet viewers are barely given a glimpse of either city: the main characters, James and Mattie (played by co-directors Joe Swanberg and Greta Gerwig), rarely leave the cramped bedrooms, bathrooms, and stairwells that define the very small territory of their love. In short, improvisational scenes, NIGHTS AND WEEKENDS traces the pitfalls and occasional joys of the 20-something couple's long-distance relationship as it blossoms and decrescendos over the course of about a year. This slice of extreme naturalism, shot on unforgiving digital video, wobbles between revelatory emotionalism--Gerwig, playing the cute but eternally peevish girlfriend, seems particularly adept at crying on cue--and awkward, inarticulate banalities, and yet in less than 90 minutes the fearlessness and intimacy of the performances get under your skin. Viewers may not always like the self-absorbed characters, or completely understand what drives them, but when the film ends, they may be sorry to see them go. [More]
Starring: Greta Gerwig, Joe Swanberg, Alison Bagnall, Elizabeth Donius
Starring: Greta Gerwig, Joe Swanberg, Alison Bagnall, Elizabeth Donius, Jay Duplass, Kent Osborne, Lynn Shelton
Director: Joe Swanberg, Greta Gerwig
Director: Joe Swanberg, Greta Gerwig
Screenwriter: Joe Swanberg, Greta Gerwig
Producer: Greta Gerwig, Anish Savjani, Dia Sokol, Joe Swanberg
Studio: IFC Films
Reviews for Nights and Weekends
Its surprisingly structured depiction of this relationship and its many private rituals and performances, which the film's unforgiving style continually strips bare
In brief scenes, lovely or tense, mostly unresolved, Nights and Weekends indicates a slow, almost imperceptible evolution in the relationship.
Swanberg and Gerwig also have a gift for constructing the kind of moments rarely seen in contemporary American independent film.
This movie belongs to its stars, who also wrote and produced. You can't say their acting is good or bad because they are not really acting. They're just being themselves, pubic hair and all.
One imagines the film is making a gentle attempt to be a modern Scenes from a Marriage, and while that's a tall order, Gerwig and Swanberg aren't terribly far from the mark.
Night and Weekends simultaneously plays like a critique of the mumblecore ethos and an especially obnoxious example of its whimsical tics and insouciant solipsism.
Directors Joe Swanberg and Greta Gerwig fill the screen with many magical moments of intimacy in a relationship that is going through a rough patch.
At last, the confessional style actually confesses a legitimate sense of longing and doubt, and the mundane no longer feels so ordinary.
I can't recall a film with as much character insight as this one; not necessarily character development, but insight.
The movie’s attempt to become a Scenes from a Marriage for the SXSW set often comes within millimeters of self-parody.
Joe Swanberg and Greta Gerwig nail the everyday rhythms of stuttering indecision.
It’s at times bold, intimate, unfunny, and discomforting, but it is never anything less than sincere.
Nights and Weekends marks writer-director Joe Swanberg's fourth consecutive film at the South by Southwest Film Festival, and it's quite possibly his strongest work yet.
there's poetry -- not to mention a fair dose of comedy -- in the mix.
Latest News for Nights and Weekends
October 10, 2008:
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