Johnny Got His Gun won't break any box-office records. But it should find a small but loyal audience.
Dalton Trumbo's Johnny Got His Gun (2008)
Tomatometer
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Reviews Counted:14
Fresh:3
Rotten:11
Average Rating:4.3/10
Genre: Dramas
Synopsis: The film takes place in the mind of an American soldier hit by an artillery shell on the last day of WWI; a quadruple amputee who has also lost his eyes, ears, nose, and mouth.... The film takes place in the mind of an American soldier hit by an artillery shell on the last day of WWI; a quadruple amputee who has also lost his eyes, ears, nose, and mouth. Regaining consciousness, Joe Bonham discovers that while his brain is healthy and able to reason, the rest of his body is irreparably shattered, leaving him trapped forever within the confines of his own imagination. He struggles to find some way to communicate with the outside world. Tapping his head in Morse code, he breaks through and pleads with his caretakers to be put on display as a living example of the cost of war. The film explores the interplay between science, medicine, religion, and politics. [More]
Starring: Ben McKenzie
Starring: Ben McKenzie
Director: Rowan Joseph
Director: Rowan Joseph
Producer: Rowan Joseph
Studio: Truly Indie
Reviews for Dalton Trumbo's Johnny Got His Gun
Coming out one year after The Diving Bell and the Butterfly, Julian Schnabel's inventively mesmerizing movie about a man who can only communicate through blinking his eyes, places Johnny Got His Gun at a disadvantage.
The story of a wounded soldier during World War I and his hallucinations about life and combat serve as a poignant reminder of our country's current situation, but don’t do much to elevate it beyond that.
McKenzie has the perfect boy-next-door looks as well as the physical intensity and ardent naturalism to hold your interest. It’s a tour-de-force performance, and Joseph’s camerawork is fluid and sensitive.
It's hard not to wish that the novel had instead been newly adapted into a real film by a director with the requisite daring and imagination.
Trumbo's aim was a kind of proletarian poetry, but McKenzie's broad emoting has the deadly earnestness of a school play.
Unless viewers are aficionados of solo shows and want to see every one they can, this effort comes off as forced, far too self-aware and unfortunately dated.
Trumbo's dialogue is as subtle as a bayonet charge and as outdated, while McKenzie, alternately shouty and moany, is not the actor to pull it off.
Staged plays just aren’t that cinematic, and even under the capable direction of Rowan Joseph, Mr. McKenzie doesn’t provide enough spark to offset the problem.
Whether or not you agree with the pacifist message, the presentation is often overwrought and maudlin.
This incarnation of Johnny Got His Gun is a mismatch of medium, text and talent.
A veteran theater director, Rowan Joseph adapted Dalton Trumbo’s antiwar novel into an Off Broadway play in 1982. If you’re still kicking yourself for missing that production, then this film is for you -- and only you.
Ably filmed by veteran stage producer-director Rowan Joseph, Bradley Rand Smith's theatrical script provides a bravura thespian workout for Ben McKenzie.
Little more than a good performance of dated material...Trumbo's pacifist rant now seems pleasantly corny in its memories of small-town America and absolutely irrelevant to the very real issues of present-day warfare.
Latest News for Dalton Trumbo's Johnny Got His Gun
November 03, 2008:
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