Heart-warming, funny, wise and profound. Not to be missed.
Departures (2009)
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Reviews Counted:89
Fresh:72
Rotten:17
Average Rating:7/10
Consensus: If slow and predictable, Departures is a quiet, life affirming story.
Rated: 12A
Genre: Foreign Films
Theatrical Release:04-12-2009
Synopsis:
Nominated for an Academy Award® for Best Foreign Language Film, Departures is a delightful journey into the heartland of Japan as well an astonishingly beautiful look at a sacred part of Japan's...
Nominated for an Academy Award® for Best Foreign Language Film, Departures is a delightful journey into the heartland of Japan as well an astonishingly beautiful look at a sacred part of Japan's cultural heritage.
Departures follows Daigo Kobayashi (Masahiro Motoki), a devoted cellist in an orchestra that has just been dissolved and who is suddenly left without a job. Daigo decides to move back to his old hometown with his wife to look for work and start over. He answers a classified ad entitled Departures thinking it is an advertisement for a travel agency only to discover that the job is actually for a "Nokanshi" or "encoffineer," a funeral professional who prepares deceased bodies for burial and entry into the next life. While his wife and others despise the job, Daigo takes a certain pride in his work and begins to perfect the art of “Nokanshi,” acting as a gentle gatekeeper between life and death, between the departed and the family of the departed. The film follows his profound and sometimes comical journey with death as he uncovers the wonder, joy and meaning of life and living.
--© Regent Releasing
Starring: Masahiro Motoki, Tsutomu Yamazaki, Ryoko Hirosue, Kazuko Yoshiyuki
Starring: Masahiro Motoki, Tsutomu Yamazaki, Ryoko Hirosue, Kazuko Yoshiyuki, Yo Kimiko
Director: Yojiro Takita
Director: Yojiro Takita
Screenwriter: Kundo Koyama
Studio: Regent Releasing
Reviews for Departures
The movie gestures towards deep emotions, but an abiding soft-grained superficiality effectively insulates us from the piercing realities of grief.
Doesn't quite justify the enormous plaudits heaped upon its shoulders, but a warm-hearted comedy-drama with its own likeably odd sensibility.
Yōjirō Takita's bitter-sweet tale of the Japanese funeral trade plays a bit like a formal service itself.
Moments of clarity and pragmatism are contradicted by flashes of inanity and dry, if well-delivered humour.
Departures's whimsical take on the Japanese funeral industry proves surprisingly funny.
Departure’s cynicism, ironically, is what makes the optimism of its last act so moving.
Despite a lengthy running time and a few pacing issues, Departures is still worth seeing, thanks to its moving script and engaging performances.
It's an affecting experience (you'll need to bring some tissues) but rest assured it's a joyous one too.
Takita eventually pushes the emotions too hard but by then I had lost all resistance. It's a beautiful film but take two hankies.
Departures is about life, death, grief and loss, but it's also, in a quietly effective way, about coming to terms with expectations.
The film seduces us into this world with such affection and beauty.
Beautifully acted and classically filmed, Departures is a gentle, wise, immensely appealing film.
Like the art of encoffinment itself, Departures unfolds with a delicacy and precision that slowly captivates the viewer.
Yojiro Takita has crafted a rich, memorable and thoroughly unconventional film that celebrates finding your own particular place in a world full of surprising opportunities.
Departures is a great film and, yes, you're going to need your reading glasses -- this one is subtitled.
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