Carmen & Geoffrey presents spectacular performances combined with remarkably intimate interviews that reveal the hearts, souls and techniques of two of America's master dancers.
Carmen and Geoffrey (2009)
Tomatometer
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Reviews Counted:16
Fresh:14
Rotten:2
Average Rating:6.8/10
Genre: Education/General Interest
Synopsis:
This film is about the work of American artists, Carmen de Lavallade and Geoffrey Holder who stepped forward in the 1950's to play a vital part in the newly energized world of modern dance. It is...
This film is about the work of American artists, Carmen de Lavallade and Geoffrey Holder who stepped forward in the 1950's to play a vital part in the newly energized world of modern dance. It is also about a forty-seven year long marriage and creative partnership that has sustained their accomplishments.
Over the past three years, Linda Atkinson (a student of Carmen’s) and Nick Doob have filmed the virtually uninterrupted creativity of this couple, now in their 70’s. The film’s style is spontaneous, intimate and revealing, showing Carmen and Geoffrey’s natural penchant for uncommon good humor.
Born in New Orleans, Carmen won a scholarship at age 16 to study in Los Angeles with the pioneering choreographer, Lester Horton. She brought her high school classmate, Alvin Ailey to his first dance class. Noticed by Herbert Ross, she appeared he invited her and Ailey to dance in the Broadway production of Truman Capote’s House of Flowers. Another member of that cast was Geoffrey Holder. They were married soon after. Carmen is also a noted choreographer and actor but her solo dance career is legendary, both with Ailey as well as John Butler, Jose Limon, Donald McKayle and others.
Geoffrey Holder came from Trinidad to debut in House of Flowers, which he also co-choreographed with Herbert Ross. Later he directed and designed the costumes for The Wiz winning two Tonys in the process. Geoffrey’s world-class talent as a painter has been recognized with a Guggenheim fellowship and he is a prize-winning author and photographer. His ballet, Dougla is a permanent part of the Dance Theatre of Harlem’s repertoire, as is his work Prodigal Prince for the Ailey Company.
The film was shot in New York, Texas, Trinidad and Paris and contains rare dance footage featuring them from the 50’s and 60’s, both solo and together. It also includes their work with Ailey, Ross, Horton, Joe Layton, Duke Ellington and Josephine Baker in Paris. There are scenes of their contemporary work, including Carmen’s on-going partnership with Gus Solomons jr and Dudley Williams and both Carmen’s and Geoffrey’s current choreography.
The film provides young people with role models of lives boldly lived and above all will offer a paradigm for survival and accomplishment in one of the toughest professions to which anyone can aspire. --© First Run Features
Director: Linda Atkinson, Nick Doob
Director: Linda Atkinson, Nick Doob
Studio: First Run Features
Reviews for Carmen and Geoffrey
One doesn't have to be a dance aficionado to be drawn to this film, but if you are, Lavallade's observations about the difficult work of dance -- and choreography -- are as poetic as they are illuminating.
The first battle to be fought in making a documentary is to pick a compelling subject; the filmmakers have two.
Extraordinary film clips are must-sees for any dance fan and emphasize the extraordinary breadth of their artistry.
Laugh if you want to, but this movie is a joyful celebration of the possibilities of love, the possibilities of blackness, the possibilities of America, and the possibilities of the human spirit. It's a tremendous tonic for dark times.
Mostly compelling, warm and lively, but ultimately deficient in truly profound revelations or insights.
Proves too slight to encompass the innovative artistry of its celebrated subjects...could still wow cognoscenti and philistines alike.
Both subjects are interviewed at length, and the filmmakers have unearthed some rare, arresting black-and-white dance footage from the '50s and '60s.
It's a shame the film isn't more artful, but an imperfect look at [the] accomplished, unpretentious [dancer/choreographers Carmen de Lavallade and Geoffrey Holder] is better than none at all.
A scruffily informal yet wholly charming documentary portrait of an endlessly entrancing New York artistic couple.
Leaves you wondering why its subjects are not widely recognized as national treasures.
Given that Carmen and Geoffrey focuses on two of the most innovative figures of African-American modern dance -- Carmen de Lavallade and Geoffrey Holder -- it’s a shame that this film is both uncreative and technically maladroit.
Linda Atkinson and Nick Doob’s Carmen & Geoffrey is one of the most revelatory dance films I have ever seen.
By the film's end, one feels glad to have made their cinematic acquaintance.
As engagingly-chronicled by co-directors Linda Atkinson and Nick Doob, Carmen & Geoffrey stands as a fitting tribute to a pair of extraordinary overachievers and as a touching portrait of over a half century of black-on-black love and of lives very well l
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March 08, 2009:
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