Michael Shannon adds another stunning performance to his resume with this small-scale neo-noir by writer/director Noah Buschel.
Missing Person (2009)
Tomatometer
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Reviews Counted:18
Fresh:12
Rotten:6
Average Rating:5.9/10
Genre: Dramas
Synopsis:
Premiering at the 2009 Sundance Film Festival, THE MISSING PERSON is a present-day film noir where there isn’t necessarily a bad guy or good guy but more of an internal fight of good and evil. ...
Premiering at the 2009 Sundance Film Festival, THE MISSING PERSON is a present-day film noir where there isn’t necessarily a bad guy or good guy but more of an internal fight of good and evil. What happens when your world has been blown up, in one way or another?
John Rosow, a private detective has been hired to tail a man, Harold Fullmer, on a train from Chicago to Los Angeles. Persuaded by a large reward, Rosow uncovers Harold’s mysterious identity and is charged with bringing him back to his wife in New York City against his will. Ultimately Rosow must confront whether the decision to return Harold is truly the right one.
THE MISSING PERSON stars Academy Award © Nominee Michael Shannon and co-stars Academy Award © Nominee Amy Ryan and features a strong supporting cast including Margaret Colin, Linda Emond, Yul Vazquez and John Ventimiglia. The film is written and directed by Noah Buschel, and Ryan Samul is the director of photography. Jesse Scolaro, Allen Bain, Lois Drabkin and Alex Estes are the producers. Jason Orans and Amy Ryan executive produced. --© Strand
[More]
Starring: Michael Shannon, Amy Ryan, Frank Wood, Linda Emond
Starring: Michael Shannon, Amy Ryan, Frank Wood, Linda Emond, Paul Sparks
Director: Noah Buschel
Director: Noah Buschel
Screenwriter: Noah Buschel
Studio: Strand Releasing
Reviews for Missing Person
Buschel makes striking use of the Mike Hammer/Philip Marlowe tradition to tell a story of disorientation and loss in a post-9/11 world where the Twin Towers can go missing too.
It's a great-looking movie, with an evocative use of music and, in rugged-yet-sensitive Michael Shannon, has an actor whose forceful, focused presence is the film's sturdy linchpin.
Michael Shannon is a handsome kook whose turns in Revolutionary Road, Bug and this have earmarked him to be the next Jack Nicholson (or at least the next Christopher Walken)
The Missing Person isn't merely a clever, cool spin on the classic private eye story, but it also works as a private eye story. It showcases a lurching, hunched, quietly lived-in performance by Shannon but offers more than just that performance. ...
Why has The Missing Person persisted in staying with me, even though I started craving The Big Sleep halfway through?
Shannon's complete performance, he moves like The Elephant Man and enunciates like Mickey Rourke, allows Buschel to drift into David Lynch territory without getting drowned in it.
Sluggish, stylized and frequently washed in a bilious green tint, The Missing Person is yet oddly irresistible, its omnipresent anxiety like a musical chord that neither rises nor falls.
The moments that do undeniably work are overshadowed by a general feeling that the film just isn't quite clicking the way it could or should have, amplified by a final act that simply gets away from everyone involved.
“So you make jokes and smoke cigarettes,” a lady in the murk summarizes. Yeah. Isn’t that enough?
Shannon’s performance takes The Missing Person as far as it goes, but when a real-world tragedy commandeers the story, Buschel’s thin pastiche falls to pieces.
neither the existential 70s crime thriller it wants to be nor the apocalyptic fever dream it could have been
A reasonable approximation of the style, capturing Shannon at his most coolly insular.
Not the most riveting of noir dramas, this film exists mainly to project the talents of Michael Shannon in the role of a drunk private eye.
Though Ryan Samul’s textured cinematography makes the stubble and shadows seem nearly 3-D, the story chokes on a dull twist from Rosow’s past.
All of which is well and artsy, but doesn't diminish the sense, once the mystery has untangled, that the film has been gesturing toward a profundity that isn't there.
A drab, pale-looking affair without a trace of visual style, this cross-country pursuit yarn fights a losing battle to sustain viewer attention via narrative alone, so much does it flounder for lack of imagistic flair.
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