Another dark, gloomy drama about home life during wartime, this film features some seriously great performances and a theme that will resonate powerfully with thoughtful audiences.
The Messenger (2009)
Tomatometer
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Reviews Counted:75
Fresh:67
Rotten:8
Average Rating:7.4/10
Consensus: A dark but timely subject is handled deftly by writer/directer Owen Moverman and superbly acted by Woody Harrleson and Ben Foster.
Runtime: 1 hr 45 mins
Genre: Dramas
Synopsis:
Co-written by Oren Moverman and Alessandro Camon, THE MESSENGER is a powerful and tender story about a returned war hero making his first steps toward a normal life.
In his first leading role,...
Co-written by Oren Moverman and Alessandro Camon, THE MESSENGER is a powerful and tender story about a returned war hero making his first steps toward a normal life.
In his first leading role, Foster stars as Will Montgomery, a U.S. Army officer who has just returned home from a tour in Iraq and is assigned to the Army’s Casualty Notification service. Partnered with fellow officer Tony Stone (Harrelson) to bear the bad news to the loved ones of fallen soldiers, Will faces the challenge of completing his mission while seeking to find comfort and healing back on the home front. When he finds himself drawn to Olivia (Morton), to whom he has just delivered the news of her husband's death, Will’s emotional detachment begins to dissolve and the film reveals itself as a surprising, humorous, moving and very human portrait of grief, friendship and survival.
Featuring tour-de-force performances from Foster, Harrelson and Morton, and a brilliant directorial debut by Moverman, THE MESSENGER brings us into the inner lives of these outwardly steely heroes to reveal their fragility with compassion and dignity. --© Oscilloscope
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Starring: Ben Foster, Woody Harrelson, Samantha Morton, Jena Malone
Starring: Ben Foster, Woody Harrelson, Samantha Morton, Jena Malone, Eamonn Walker, Steve Buscemi
Director: Oren Moverman
Director: Oren Moverman
Screenwriter: Oren Moverman, Alessandro Camon
Producer: Mark Gordon, Lawrence Inglee, Zach Miller
Composer: Nathan Larson
Studio: Oscilloscope Pictures
Reviews for The Messenger
Beyond the interesting subjects, Moverman doesn't have a definitive place for his film to go.
It's hard to believe that an actor of Ben Foster's caliber is just now getting a leading role.
At its center lie three accomplished performances, by Ben Foster, Woody Harrelson and Samantha Morton, that are not to be missed.
Yes, you're going to have to look for The Messenger. But the fact it's one of the best American films of 2009 makes that search worthwhile.
This is a powerful war film that never needs to enter the battlefield for you to be fully absorbed.
Like "The Hurt Locker", calculated to sell tickets to tea-baggers and Moveon.org alike. Informed by the Clint Eastwood/Paul Haggis school of bad didactic screenwriting.
This is the type of original film that should be pulling in the box office numbers. Harrelson and Foster deliver completely natural and raw performances. See this movie now!
I used to think working at the Salt Lake City Hooters was the worst job in the world. Boy was I wrong. That dubious occupational honor goes to working for the Army's Casualty Notification Service.
The best war movies don't preach against war: They remind us of the costs for soldiers and families and ask us to consider whether those costs are worth paying.
The miracle of this film is in its insistence on finding a way back home -- to fragile new beginnings giving way to new friendship, perhaps even new love.
Harrelson gives what might be a career performance as a jaded mentor who tries to conduct each notification using a well-rehearsed set of rules of engagement.
Co-screenwriter/director Oren Moverman slowly peels back the layers to the characters, with the game cast helping considerably in that regard.
...[The Messenger] highlights the gulf between those who have served in Iraq and nearly everyone else they deal with after returning home.
The Messenger involves difficult subject matter, but it's not hard to watch. It's sad and sobering, but also humorous and touching at turns.
Because of the nature of its subject matter, 'The Messenger' is emotionally charged, but director Oren Moverman and his able cast prevent it from feeling phony or manipulative.
Foster and Harrelson have a winning camaraderie as they develop a bond of trust and friendship. Both performances are memorable and deserve year-end awards consideration.
The beauty in Foster's portrayal is that it never completely explodes, but anger and aching seethe behind his eyes. Harrelson, meanwhile, is a good old boy with a bad old job.
Whenever writer-director Oren Moverman moves past these scattered and admittedly voyeuristic moments into the lives of the two soldiers, the movie drifts into received wisdom and unconvincing romance.
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