As often with Antonioni, a film riddled with moments of brilliance and scuppered by infuriating pretensions.
Blow-Up (1966)
Runtime: 2 hrs 2 mins
Synopsis: Michelangelo Antonioni delivers yet another masterful cinematic expose with BLOW UP, a provocative mystery set in the seamy mod culture of London. The film follows a photographer (David Hemmings) who captures evidence of a murder when he takes some innocent snapshots of a couple in the... Michelangelo Antonioni delivers yet another masterful cinematic expose with BLOW UP, a provocative mystery set in the seamy mod culture of London. The film follows a photographer (David Hemmings) who captures evidence of a murder when he takes some innocent snapshots of a couple in the park. As he digs deeper and deeper into the photograph's actual negative in order to unravel the mystery, he also must contend with a seemingly dangerous woman (Vanessa Redgrave) who knows more than she is letting on. Atmospheric, tense, with a refreshing jolt of humor, Antonioni's stylish thriller influenced the work of many of cinema's most celebrated directors, including Francis Ford Coppola's THE CONVERSATION, Brian De Palma's BLOW OUT, and David Lynch's BLUE VELVET. [More]
Genre: Dramas
Starring: Vanessa Redgrave, David Hemmings, Sarah Miles, Jill Kennington, Verushka
DVD Info
Release:
May 2, 2005
DVD Features:
- Region 1
- Snap Case
- Widescreen - 1.85
Audio:
- Mono - English, French
- Music Only Track
Additional Release Material:
- Audio Commentaries
- Trailers - Theatrical Trailer
Reviews
Michelangelo Antonioni's first English language film is as maddening to watch as it is absorbing.
This is so ravishing to look at (the colors all seem newly minted) and pleasurable to follow (the enigmas are usually more teasing than worrying) that you're likely to excuse the metaphysical pretensions.
There may be some meaning, some commentary about life being a game, beyond what remains locked in the mind of film's creator, Italian director-writer Michelangelo Antonioni. But it is doubtful that the general public will get the 'message' of this film.
The natural world is arrayed against the artificial scene; conscience is deployed against convention. If you’ve never seen Blow-Up, see it now, if only to see what part of the world was like 40 years ago.
Whether there was a murder isn't the point. The film is about a character mired in ennui and distaste, who is roused by his photographs into something approaching passion.
Speaks to the inescapability of modern man’s emotional and spiritual alienation.
Peter Brunette’s detailed and entertaining commentary refreshingly acknowledges that, at many points, 'Things don’t add up in this movie.'
Antonioni’s chic study in ambiguity calls into question the notion of photographic truth, and indeed reality itself.
Relying only on our subjective perceptions and personal interpretations, we are asked to find the truth for ourselves.
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