The reason Carrie is still held in such high regard as a horror classic is very simple: it's all in the sheer directorial bravado. De Palma at the top of his game.
Carrie (1976)
Tomatometer
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Reviews Counted:42
Fresh:38
Rotten:4
Average Rating:8.1/10
Consensus: Carrie is a horrifying look at supernatural powers, high school cruelty, and teen angst -- and it brings us one of the most memorable and disturbing prom scenes in history.
Runtime: 1 hr 41 mins
Genre: Horror/Suspense
Synopsis: Brian De Palma's commercial breakout, based on a novel by Stephen King, helped launch a whole slew of teen-based horror films, and Carrie the blood-spattered prom queen has taken her throne in the... Brian De Palma's commercial breakout, based on a novel by Stephen King, helped launch a whole slew of teen-based horror films, and Carrie the blood-spattered prom queen has taken her throne in the pantheon of modern American myth. High school girls played by Amy Irving (in her film debut), P.J. Soles, and Nancy Allen plot to avenge themselves on ostracized fellow student and budding telekinetic Carrie White (Sissy Spacek) after they get in trouble for pelting her with tampons. When they get popular boy Tommy Ross (William Katz) to be her date for the prom, the stage is set for some heart-rending cruelty and fiery retribution. De Palma expertly uses split screens, slow motion, color filters, and tracking shots to imbue the proceedings with a haunting, allegorical elegance. Piper Laurie plays Carrie's mentally ill, devoutly Christian mom; she's brilliant, as is Spacek. John Travolta has a memorable pre-SATURDAY NIGHT FEVER role as one of the girls' beer-guzzling boyfriends. There was finally a sequel in 1999, as well as a short-lived Broadway musical. [More]
Starring: Sissy Spacek, Amy Irving, John Travolta, William Katt
Starring: Sissy Spacek, Amy Irving, John Travolta, William Katt, Nancy Allen, Piper Laurie, Betty Buckley, P.J. Soles, Sydney Lassick, Stefan Gierasch
Director: Brian De Palma
Director: Brian De Palma
Screenwriter: Lawrence D. Cohen
Producer: Paul Monash
Composer: Pino Donaggio
Reviews for Carrie
Unlike other examples of the horror genre, there are classic elements of tragedy that lend this gruesome tale a compelling edge.
Carrie rivals The Shining for the title of greatest ever Stephen King adaptation.
The fierce sympathy it extends to its unfashionable central character puts the film a million miles above the contemporary line in sick exploitation.
It's high time for the young generation of filmgoers to stop throwing their money [away] and see what a real horror movie is.
De Palma's classic creep show has dark undertones about the nastiness of teen spirit, emergent female sexuality, and rabid Christianity.
There is little suspense or dramatic tension; everything plays out like bad melodrama or cheap exploitation.
Brian De Palma's Carrie is an absolutely spellbinding horror movie, with a shock at the end that's the best thing along those lines since the shark leaped aboard in Jaws.
It is sometimes funny in a puzzling kind of way, it is generally overwrought in an irritating kind of way, and once in a while it is inappropriately touching.
I might be the only person in the world who thinks Brian De Palma's 1976 classic thriller Carrie (now out on DVD) is one of the most overrated, disappointing horror films of all time, but I stand behind my review, and I swear I can knock down just about a
Carrie might be a film about high school, but it was perhaps Brian De Palma's first completely mature film.
This 1976 thriller, about a high school outcast (Sissy Spacek) who uses her telekinetic powers to massacre the graduating class, contains a number of interesting ideas. But as with most of his films, De Palma can't keep track of them.
King's pulp-gothic imagination was perfectly realized on-screen in De Palma's Hitchcock-influenced manipulative camerawork
It’s a gripping and rousing perusal of our human souls -- an opportunity to become aware of our dark sides and meet them head on.
De Palma's Gothic thriller is at once trashy and lyrical, a nasty revenge story in which its misfit-Cinederella-like heroine (an exquisite Sissy Spacek) discovers her sexuality under the most terrifying conditions.
It's a simple tale, told briskly and effectively by director Brian DePalma.
...suspenseful, scary, and humorously cunning by turns, it boasts superb acting, excellent pacing, good production values, and...a thought-provoking premise.
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