Still the greatest multi-story ghost/horror picture.
Dead of Night (1945)
Rated: PG
Runtime: 1 hr 44 mins
Theatrical Release: 01-01-2005
Synopsis: On seeing Eliot Foley's house, Walter Craig (Mervyn Johns) pauses querulously. Meeting the assembled guests, he falls into numbed silence. Although Craig has never visited Foley (Roland Culver), the experience is eerily familiar. He has seen this place before and has met these people--in... On seeing Eliot Foley's house, Walter Craig (Mervyn Johns) pauses querulously. Meeting the assembled guests, he falls into numbed silence. Although Craig has never visited Foley (Roland Culver), the experience is eerily familiar. He has seen this place before and has met these people--in a recurring nightmare. One guest, psychiatrist Dr. Van Straaten (Frederick Valk), thinks Craig is irrational. Others support Craig, telling of a curious forewarning of death; describing a ghostly encounter at a children's Christmas party. Joan Cortland (Googie Withers) recounts the chilling events that occur when she gives her fiancé (Ralph Michael) an antique mirror. Trying to break the darkening mood, Foley contributes a light-hearted tale. But Van Straaten provides the grim case history of a disturbed ventriloquist. And everything spirals out of control as Craig's nightmare comes to fruition. DEAD OF NIGHT is a classic horror film with different directors handling different parts of the story. Alberto Cavalcanti, Charles Crichton, Robert Hamer, and Basil Dearden all contribute to this wickedly fun fright night. [More]
Genre: Horror/Suspense
Starring: Michael Redgrave, Sally Ann Howes, Basil Radford, Naunton Wayne
Reviews
The form was to be revived on both sides of the Atlantic in the 1960s. But Dead of Night is the best.
Nearly 60 years on, Ealing's compendium of spooky tales remains scary as hell.
A pioneering horror classic, and still one of the most successful anthologies to date.
The anthology film's clever structure allows even the weakest of the sketches to be effective, because there is less of a need to balance the impact of each story.
Its scares are grounded in our suspicion that not every ghost is a trick of the light and not every goosebump can be explained by a drop in temperature...
One of the creepiest movies of all time and a great way to compare different directing styles.
Cavalcanti’s contribution might be the finest single episode to appear in any horror anthology film.
Though quite obviously possessing both structure and content that has been influential to its genre, there's something about [it]that keeps it from rising very far above its legions of imitators
Although the stories here related are probably familiar to all who are devotees of such mysticisms, they are tightly and graphically told.
A wonderfully spooky omnibus production; the Redgrave segment is a classic, copied many times since.
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