Zinnemann's flat direction does produce its dull moments.
From Here to Eternity (1953)
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Reviews Counted:35
Fresh:31
Rotten:4
Average Rating:8.1/10
Consensus: It has perhaps aged poorly, but this languidly paced WWII romance remains an iconic, well-acted film, featuring particularly strong performances from Burt Lancaster and Montgomery Clift.
Runtime: 1 hr 58 mins
Genre: Dramas
Synopsis: An all-star cast brought what was considered an unfilmable novel to the screen with skill and grace with this story of the loves, hopes, and dreams of those in a close-knit Army barracks in Hawaii... An all-star cast brought what was considered an unfilmable novel to the screen with skill and grace with this story of the loves, hopes, and dreams of those in a close-knit Army barracks in Hawaii shortly before the attack on Pearl Harbor. Montgomery Clift portrays a former boxer who refuses to fight after blinding a friend in the ring and is sent to the remote outpost as punishment for his insubordination. Love and tragedy abound in this unflattering look at military life and American thought before the war. Director Fred Zinneman's Oscar-winning film is based on the novel by James Jones. [More]
Starring: Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed
Starring: Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed, Frank Sinatra, Ernest Borgnine, Philip Ober, Jack Warden, Mickey Shaughnessy
Director: Fred Zinnemann
Director: Fred Zinnemann
Screenwriter: Daniel Taradash
Producer: Buddy Adler
Composer: George Duning
Reviews for From Here to Eternity
The tough story on corruption in the military was given authenticity by being partially shot at Pearl Harbor.
Deserving to be seen and remembered for so much more than that kiss, this is old school drama of the highest order.
More a chick flick than a war movie. And neither are that substantial here.
As far as I can tell, every dumb guy in this movie has only himself to blame for all the stupid things that happen to him.
Scriptwriter Daniel Taradash rescued, if not quite a gem, then at least a high-grade industrial diamond from this rough original.
A lavish, star-studded spectacle, much bowdlerized but redeemed by a slew of fine performances.
Out of From Here to Eternity, a novel whose anger and compassion stirred a postwar reading public as few such works have, Columbia and a company of sensitive hands have forged a film almost as towering and persuasive as its source.
It remains a powerful commentary on the military world, and one that’s packed with fascinating characters and compelling subplots.
The film will always be remembered for the nocturnal romp on the surf between Kerr and Lancaster.
"If a man don't go his own way, he's nothin," says Montgomery Clift in the superbly realized melodrama, set at the oubtbreak of WWII, a motto that also sums up director Fred Zinnemann's belief system.
Contemporary audiences may not see why, even in its toned-down simplification of the novel, From Here to Eternity was the most daring movie of 1953, but it remains an acting bonanza.
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