Tolerably gripping in its old-fashioned way, thanks chiefly to old pro performances from Tracy and March as the rival lawyers and ideologists.
Inherit The Wind (1960)
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Reviews Counted:21
Fresh:19
Rotten:2
Average Rating:7.8/10
Runtime: 2 hrs 13 mins
Genre: Dramas
Synopsis: This gripping adaptation of the Jerome Lawrence-Robert E. Lee play examines an issue that still causes great controversy: the role religion should play in the schools. Bertram T. Cates is... This gripping adaptation of the Jerome Lawrence-Robert E. Lee play examines an issue that still causes great controversy: the role religion should play in the schools. Bertram T. Cates is arrested and put on trial for teaching Darwin's theory of evolution in his classroom. The incident causes a furor in the religious southern community he lives in and Matthew Harrison Brady, a famous fundamentalist attorney, arrives to prosecute the young teacher. Luckily for Cates, the equally-acclaimed lawyer Henry Drummond agrees to defend him. As a result, the two master attorneys square off in the courtroom while the teacher's life hangs in the balance. [More]
Starring: Spencer Tracy, Fredric March, Gene Kelly, Florence Eldridge
Starring: Spencer Tracy, Fredric March, Gene Kelly, Florence Eldridge, Dick York, Donna Anderson, Harry Morgan, Elliot Reid
Director: Stanley Kramer
Director: Stanley Kramer
Producer: Stanley Kramer
Screenwriter: Nathan E. Douglas, Harold Jacob Smith
Composer: Ernest Gold
Reviews for Inherit The Wind
Director Stanley Kramer can't overcome the trepidations of a verbose courtroom drama, so he lets his two actors, Spencer Tracy and Fredric March dominate and go at each other, pretending it's a deep play of ideas.
Stagey yes, but powerful Tracy and March acting + subject matter make this a must see.
Absorbing, if long-winded courtroom drama bolstered by two fine central performances from Tracy and March.
Spencer Tracy does his cuddly curmudgeon turn as Clarence Darrow; it's a lazy, vague performance, but its wit provides the only crack of light in the film's somber, gray overcast.
Tracy and March turn in superlative performances, each trying to upstage the other.
Extraordinarly vivid, rich, and wise about the core questions of how we know and who we are.
A most worthwhile film, if for no other reason, because it provides a great opportunity to watch Tracy and March go at it in a most entertaining fashion.
Producer-director Stanley Kramer ably handles the incendiary material visually, making good use of deep focus and careful compositions
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