It's a beautifully observed rite-of-passage and culture-clash story.
The River (1951)
Tomatometer
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Reviews Counted:21
Fresh:18
Rotten:3
Average Rating:7.4/10
Theatrical Release:17-02-2006
Synopsis: Described by Renoir as, "an Occidental meditation on the Orient," the film adopts the languid rhythms of the East, as it tells the story of three adolescent girls coming of age in West Bengal after... Described by Renoir as, "an Occidental meditation on the Orient," the film adopts the languid rhythms of the East, as it tells the story of three adolescent girls coming of age in West Bengal after WWII. Harriet (Patricia Walters), a self-conscious aspiring writer, Melanie (Radha), a quiet Anglo-Indian girl, and Valerie (Adrienne Corri), an imperious beauty, are three friends united by their infatuation with Captain John (Thomas E. Breen), a WWII veteran who has moved into their neighborhood. Yet his melancholy, caused by losing his leg in the war, renders him impervious to their attempts to attract his attention. Patricia's amused but understanding parents (Nora Swinburne, Esmond Knight) try to distract her with involvement in the small events of daily life. But even with her parents, tragedy can strike, as it does for Patricia, turning her world upside down. Only then can she begin to understand the Captain, and finally penetrate his isolation, achieving a kind of love far different than what she had imagined. Breathtaking color photography by Claude Renoir in a film that represents an undeniable mellowing of the director's vision. [More]
Starring: Patricia Walters, Nora Swinburne, Arthur Shields, Radha
Starring: Patricia Walters, Nora Swinburne, Arthur Shields, Radha
Director: Jean Renoir
Director: Jean Renoir
Reviews for The River
Gloriously photographed and providing perceptive insights into contrasting cultures, this melodrama flows with the majesty of the Ganges. But its attitudes to race and gender now sit as uncomfortably as some of the performances.
Renoir's location work in India and his semi-documentary excursions look great, juxtaposed as they are with his bold fantasy sequences evoking India's spiritual life.
Some of the politics may not have aged well but its rich colours and passions burn as bright as the day it was made.
a delicate tapestry of images that evoke a different way of life, of thinking, and of relating to the world
...the plot is only the bread on which Renoir layers his meditations on life's cyclical flow from birth to death and the changes in between.
Withal, the illustrations of the country are beautiful beyond words—the serenity of the river, the power of boatmen sweeping its stream, the bazaars full of color and movement, [and] the dazzling brilliance of festivals.
Renoir fashioned what might be his sweetest movie about family and one of the post-war years' most serene cinematic statements.
The River is a sumptuous visual feast, yet another example ... of Renoir's amazing ability at using his camera as a paintbrush.
So beautifully innocent and innocently beautiful that its peaceful wisdom transcends reality.
Jean Renoir has preserved the spirit of Mother India as well as any western filmmaker
The film's scenario is merely a loose framework for emphasizing its setting through various festivals, bazaars, and imaginative legends.
While I'll submit that the girls (unknowns, all of them) act well and can genuinely create some emotional energy in the movie, it's the story of The River that's an absolute dud.
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