Asurprisingly apt companion piece to Paths of Glory in its consideration of the mechanisms of power.
Spartacus (1960)
Tomatometer
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Reviews Counted:43
Fresh:41
Rotten:2
Average Rating:8.1/10
Consensus: Featuring terrific performances and epic action, Kubrick’s restored swords-and-sandals epic is a true classic.
Theatrical Release:09-06-2009
Synopsis: SPARTACUS, based on Howard Fast's popular novel, is Stanley Kubrick's glorious masterpiece about a slave uprising in Rome in 70 B.C. Kirk Douglas, who also served as executive producer, stars as... SPARTACUS, based on Howard Fast's popular novel, is Stanley Kubrick's glorious masterpiece about a slave uprising in Rome in 70 B.C. Kirk Douglas, who also served as executive producer, stars as the title character, a man born of a slave woman and a slave master who has known nothing but chains his entire life. After being forced to put on a gladiator show--that almost leads to his death--for wealthy Romans (including a marvelously conniving Laurence Olivier as the power-hungry Crassus), Spartacus leads a slave revolt across Italy that soon has thousands marching on Rome. Meanwhile, he has fallen in love with the beautiful Varinia (an effervescent Jean Simmons), pledging his life to her. Douglas assembled a fabulous all-star cast for the film; in addition to himself, Simmons, and Olivier, terrific performances are turned in by Charles Laughton as the curmudgeonly senator Gracchus, John Gavin as the young Julius Caesar, Tony Curtis as Antoninus (a "singer of songs," with all lines delivered in a beautifully thick New York accent), and especially Peter Ustinov, an Oscar winner for his portrayal of the businessman Batiatus, who always wants to know what's in it for him. Blacklisted writer Dalton Trumbo's melodramatic script and Alex North's thrilling, soaring score add a majesty that helps make SPARTACUS one of the finest costume epics to ever come out of Hollywood. [More]
Starring: Kirk Douglas, Jean Simmons, Laurence Olivier, Charles Laughton
Starring: Kirk Douglas, Jean Simmons, Laurence Olivier, Charles Laughton, Peter Ustinov, Tony Curtis, John Gavin, Nina Foch
Director: Stanley Kubrick
Director: Stanley Kubrick
Screenwriter: Dalton Trumbo
Producer: Edward Lewis
Composer: Alex North
Reviews for Spartacus
The great-granddaddy of Ridley Scott's Gladiator hasn't lost any muscle tone after nearly half a century, and Kirk Douglas's direct, unpretentious performance as the great slave-rebel Spartacus is more engaging than ever.
Douglas is terrific as the iron-jawed slave fuelled by righteous fury.
Of all the historical epics, this pretty much takes the biscuit, with an unbelievable cast, incredible cinematography and plenty of quotable scenes.
Though this stuff could have been directed by anyone, the greatness of Spartacus is in the stretches everyone remembers.
It is in the observation of human detail, and in many memorable little scenes that the film scores most heavily over other epics, and in which it finds an inner strength.
Many scenes ring passionate and rousing, while others are campy and silly, and somehow they all work together.
Spartacus to this day remains one of the most rousing action epics ever filmed.
The most courageous thing about it, from today's standards, is that it closes without an obligatory happy ending, and an audience that has watched for 187 minutes doesn't get a tidy, mindless conclusion.
Though this is hardly a Kubrick film, since Kubrick wasn't involved in the preproduction, Douglas's wisdom in calling on Kubrick to bail him out on this ambitious production is evident throughout.
The comparative frankness of the politics, sexuality, and violence, and especially the downbeat third act and memorable finale give it a dramatic heft beyond its predecessors.
Seeing Spartacus in this restored version, with its original overture, intermission and a few inserted pieces of footage that had been excised after initial screenings, is nothing short of spectacular.
the liberal message is delivered with a heavy hand, but the film also boasts some stirring action and intelligent dialogue.
Based on a true story of a slave revolt in 73 BC, Dalton Trumbo's script mixes the corny melodrama typical of the epics of the era with some quite affecting, moving moments.
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