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A Star Is Born (1954)
Tomatometer
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Reviews Counted:20
Fresh:20
Rotten:0
Average Rating:8.2/10
Runtime: 2 hrs 56 mins
Genre: Musical & Performing Arts
Synopsis: A STAR IS BORN was conceived as a comeback vehicle for Judy Garland, who gives a fascinating and heartrending performance in perhaps the finest work of her career. This film was director George... A STAR IS BORN was conceived as a comeback vehicle for Judy Garland, who gives a fascinating and heartrending performance in perhaps the finest work of her career. This film was director George Cukor's first musical and first color picture; the tale of a doomed Hollywood couple, it was a remake of the 1937 William Wellman movie with Janet Gaynor and Fredric March. Garland plays young singer Esther, who saves Norman Maine (James Mason), a famous star, from making a fool of himself onstage. Maine is an alcoholic whose career is on the wane but who manages, nonetheless, to acknowledge Esther's talent and help her jump-start a career in Hollywood. But as her star rises and his declines, Maine's misery grows. Harold Arlen and Ira Gershwin provided Garland with songs that would become standards in her concert repertoire, including "The Man That Got Away," which earned an Oscar nomination for Best Song. A STAR IS BORN is also based on the earlier Cukor picture WHAT PRICE HOLLYWOOD? [More]
Starring: Judy Garland, James Mason, Jack Carson, Charles Bickford
Starring: Judy Garland, James Mason, Jack Carson, Charles Bickford, Tommy Noonan, Lucy Marlow, Amanda Blake, Irving Bacon
Director: George Cukor
Director: George Cukor
Screenwriter: Moss Hart
Producer: Sidney Luft
Composer: Harold Arlen
Reviews for A Star Is Born
Judy Garland, for all her personal problems, shows on the screen why she's a star.
It is, at the very least, a successful showstopper of a musical (even if some of the musical numbers are pretty generic). At the very most, it is a commendable condemnation of the humiliating effects of Hollywood on some of the stars it creates.
Garland está excepcional - especialmente na cena em que diz como um de seus novos filmes vai ser e 'improvisa' um número em sua sala. Mason está corretamente trágico.
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