It is a testament to Welles' genius that he was able to turn a piece of pulp literature into such a disturbing, sophisticated and, above all, entertaining study of depravity.
Touch of Evil (1958)
Tomatometer
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Reviews Counted: 51
Fresh: 48
Rotten:3
Average Rating: 8.5/10
Runtime: 1 hr 51 mins
Genre: Dramas
Synopsis: Orson Welles's TOUCH OF EVIL is nothing short of a masterpiece. Beginning with a three-minute-plus tracking crane shot, the film explodes onto the screen, literally--the marvelously expressive opening shot ends with a car blowing up,... Orson Welles's TOUCH OF EVIL is nothing short of a masterpiece. Beginning with a three-minute-plus tracking crane shot, the film explodes onto the screen, literally--the marvelously expressive opening shot ends with a car blowing up, and that detonation sets into motion a classic noir tale of betrayal and murder. In a complex exploration of character and morality, Welles plays the racist Captain Hank Quinlan, a grotesque, troubled, and powerful figure who runs his small U.S. border town according to his own version of the law. Quinlan's brutishness and vulgarity contrast starkly with the idealism and playboy good looks of Charlton Heston as Mike Vargas, a Mexican detective trying to put away the leader of a dangerous family of drug dealers--the Grandis. In the U.S. with his new bride, Susie (Janet Leigh), Vargas becomes consumed with exposing Quinlan and his highly questionable methods--too busy to see that his own beautiful blonde bride is in serious danger from both Quinlan and the Grandis. In 1998, Welles's film was restored closer to its creator's original vision, and it is a joy to behold. Every shot is impeccably crafted, every word of dialogue concise and pointed. The camerawork (by Russell Metty and John Russell) is stunning, particularly in the opening scene and the long single take in which Vargas believes he has caught Quinlan planting evidence. The supporting cast, led by Marlene Dietrich, Dennis Weaver, Akim Tamiroff, and Joseph Calleia, gives exhilarating performances. TOUCH OF EVIL, Welles's last studio film, is a near-perfect examination of the dark underbelly of society and the tragic downfall of a once proud man. [More]
Starring: Charlton Heston, Janet Leigh, Orson Welles, Joseph Calleia
Starring: Charlton Heston, Janet Leigh, Orson Welles, Joseph Calleia, Akim Tamiroff, Marlene Dietrich, Zsa Zsa Gabor, Ray Collins
Director: Orson Welles, Harry Keller
Director: Orson Welles
Producer: Albert Zugsmith
Director: Harry Keller
Screenwriter: Orson Welles
Composer: Henry Mancini
Reviews for Touch of Evil
A sweaty thriller conundrum on character and corruption, justice and the law, worship and betrayal, it plays havoc with moral ambiguities.
Welles' outlandish visual talent is on full display as he puts noir movie conventions through the wringer and creates one of the most terrifyingly seedy yet utterly compelling films ever made.
Delightfully entertaining to watch, it is filled with interesting characters and it is playfully irreverent.
When druggies stash Leigh in a hotel room and throw a party, the movie threatens to turn into Reefer Madness, albeit with the visual panache of Citizen Kane.
One of Welles masterpieces (his first American film in years), this noir thriller of drugs and corruption served as reminder to Hollywood what a brilliant artist he was, using film as vibrant form in its own right, not as extension of drama or literature
...Welles' baroque border-town murder mystery is a wild masterpiece, a sleazy, grimy, jittery, and ultimately dazzling work of cinematic magic.
I first saw it when I was 14 and thought it was one of the worst pictures ever -- garish, oppressive, and appallingly overacted. Grown up, I'd go with those same adjectives, except now I think it's one of the best.
Where Mr. Welles soundly succeeds is in generating enough sinister electricity for three such yarns and in generally staging it like a wild, murky nightmare.
Dark, sinister and not altogether comprehensible, this is nonetheless an intriguing study of the art of filmmaking.
...embodies everything that is so exhilarating and maddening about Welles. Both inspired and confused, Touch of Evil is the work of a master who cannot quite give life on screen to what he imagines in his head.
Latest News for Touch of Evil
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