The blackest of Welles' comedies.
The Trial (1963)
Runtime: 2 hrs
Synopsis: THE TRIAL is Orson Welles's claustrophobic adaptation of Franz Kafka's surreal tale of fear and paranoia in a nameless society. Tinged with background jazz, filmed in shadowy black and white--mostly with direct light--THE TRIAL looks like a classic film noir, with angled close-ups and... THE TRIAL is Orson Welles's claustrophobic adaptation of Franz Kafka's surreal tale of fear and paranoia in a nameless society. Tinged with background jazz, filmed in shadowy black and white--mostly with direct light--THE TRIAL looks like a classic film noir, with angled close-ups and characters shrouded in mystery. Anthony Perkins stars as Josef K., a seemingly innocent young man who is arrested one morning for an unexplained crime by men who refuse to identify themselves. K., asserting his innocence, sets off on a bizarre series of confrontations with shady government agents, overwhelming faceless courtrooms, and pompous advocates who talk in riddles. His nightmare continues through narrow, dark passageways and colorless rooms where he witnesses various forms of torture and interrogation; some of what he comes upon has echoes of the Nazis and the Holocaust. And nearly everywhere he goes he stumbles over wads of paperwork (the kind that ultimately swallowed up Tuttle in Terry Gilliam's BRAZIL, a fascinating descendant of THE TRIAL). Perkins is wonderfully paranoid as he wanders aimlessly through the labyrinthine sets, which always seem to be closing in on him. THE TRIAL is an eerie nightmare of a film, one of which writer-director-costar Orson Welles was justifiably proud. [More]
Genre: Dramas
Starring: Anthony Perkins, Orson Welles, Jeanne Moreau, Romy Schneider, Elsa Martinelli
DVD Info
Release:
Jul 2, 2006
DVD Features:
- Keep Case
- Widescreen - 1.85
Audio:
- Dolby Digital 5.1 - English
Additional Release Material:
- Commentary - Jeffery Lyons Commentary
- Documentary
- Trailer - Theatrical Trailer
Text/Photo Gallery:
- Photo Gallery
Reviews
Orson Welles' bounced Czech, via Kafka. Not the masterpiece that many Welles fanatics claim, but intriguing and outrageous enough for genuine appreciation.
Though debatable as an adaptation of the Franz Kafka novel, Orson Welles's nightmarish, labyrinthine comedy of 1962 remains his creepiest and most disturbing work; it's also a lot more influential than people usually admit.
Welles applied his bravura directorial style to Kafka's landmark 1925 novel about Joseph K (Perkins), an office clerk who gets arrested without being told why.
While not exactly Kafka, every inch of it is most certainly Welles
Welles' adaptation of Kafka's famous work is one of his most innovative and bizarre, a trip through the surreal that would have done Kafka proud.
A great filmmaker who is an excellent guide into a Kafkaesque nightmare.
At best, it is another demonstration of the camera vers atility of Mr. Welles; at worse, a further Kafka demonstration extending to the demanding medium of the screen.
The haphazard production might have doomed most directors, but it turns out to be the perfect way for Welles to enhance the dreamlike quality of the source material.
A singularly unique -- though somewhat flawed -- literary adaptation that mixes that modern and the baroque with luminous black and white photography.
Could stand to be shorter, but overall a great attempt to bring Kafka to the screen.
Welles' interpreation of the Kafka classic takes a few liberties, but is suitably thoughtful and creepy.


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