You can't help smiling at the audacity of it all and shivering a little at the feelbad ending.
The Wicker Man (1973)
Rated: 18
Runtime: 3 hrs 7 mins
Theatrical Release: 24-08-2007
Synopsis: A notoriously troubled production notwithstanding, the controversial cult classic THE WICKER MAN is now regarded as a classic of British cinema. Edward Woodward stars as Sergeant Howie, a naive young police officer sent to Summerisle, a secluded island off the coast of Scotland, to... A notoriously troubled production notwithstanding, the controversial cult classic THE WICKER MAN is now regarded as a classic of British cinema. Edward Woodward stars as Sergeant Howie, a naive young police officer sent to Summerisle, a secluded island off the coast of Scotland, to investigate the disappearance of a young girl named Rowan. When he arrives there, he finds a very tight-knit community that is mistrustful and hostile to outsiders. No one is willing to even acknowledge Rowan's disappearance. Soon, Howie begins to realize that the town might, in fact, be a strange pagan cult, one given to unbridled sexuality and possible human sacrifice. Seeking an audience with the oddly civilized Lord Summerisle (Christopher Lee), Howie hopes to get to the bottom of the mystery, but instead he finds something more shocking than he could have ever imagined. Written by Anthony Shaffer (SLEUTH, DEATH ON THE NILE), Robin Hardy's eerie film paints a disturbing portrait of an almost prehistoric, multi-deity worshipping society given to bizarre rituals and Bacchanalian excess. Though recognition may have been a long time coming, THE WICKER MAN stands as a strikingly original achievement that is equal parts horror, drama, comedy, and musical. [More]
Genre: Horror/Suspense
Starring: Edward Woodward, Christopher Lee, Britt Ekland, Diane Cilento, Ingrid Pitt
DVD Info
Release:
Apr 3, 2008
DVD Features:
- Region 1
- Keep Case
- Widescreen
Audio:
- Dolby Digital 5.1 Surround - English
Reviews
The tension occasionally goes slack, but hardly anything surpasses that clifftop finale for freakish terror.
A British golden-oldie worthy to be placed alongside classics such as Ira Levin's The Stepford Wives or Rosemary's Baby.
Devised by its star Christopher Lee, director Robin Hardy and writer Anthony Shaffer as a meditation on the rise of New Age spiritualism, the movie is now, of course, gleefully camp and a tad reactionary.
The ultimate British cult classic - a unique film that straddles genres, features Christopher Lee in a dress and builds toward one of cinema's most memorable climaxes.
It’s a heady brew, but Hardy keep the mystery simmering, while his staging of several merrie pagan songs – and of course the chilling climax – is truly memorable.
The Wicker Man is, more than anything else, a film about what people can do in the name of religion or, more generally, belief. Its power comes not from appeals to the supernatural but from a deep understanding of our own undeniable nature.
Essentially, it’s an insane guilty pleasure, still enjoyable for its delightfully eccentric casting and for the funniest, creepiest pub scene in British movies outside of next week’s reissue, ‘Withnail & I’.
A movie that'll burn its way into your unconscious and give you nightmares for many years to come.
It envelops you in a time and space that is unfamiliar, fascinating, exotic, and frightening all at once.
The premise is quite intriguing and is certainly sinister, but it's undermined by a too-leisurely pace and musical numbers that are straight out of an x-rated fetish-fantasy as imagined by Walt Disney.
They deliberately cast horror icons to help them break the mold... if you keep in mind its original context, it can be a very interesting film.
The Wicker Man's genre-bending, thematic daring, and tortuous history have made it the U.K.'s definitive cult movie.
Mais do que simplesmente assustador, o filme propõe uma inteligente discussão sobre a natureza cegante das religiões (e o conforto que proporcionam), a intolerância e o fundamentalismo.
This unnerving chiller rises above genre conventions to deliver its own kinds of cool dread and surprises.
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