Directed by Cukor with his trademark elegance, and proof of the filmmaker's famed ability to direct female actresses, this sparkling satire on backbiting, privileged women continues to delight.
The Women (1939)
Tomatometer
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Reviews Counted:20
Fresh:18
Rotten:2
Average Rating:7.8/10
Theatrical Release:05-11-2004
Synopsis: Set in a 1930s Manhattan milieu of idle socialites and gossip, George Cukor's THE WOMEN is an opulent rendition of the Clare Boothe Luce play. While no men appear in the film, they are grist for... Set in a 1930s Manhattan milieu of idle socialites and gossip, George Cukor's THE WOMEN is an opulent rendition of the Clare Boothe Luce play. While no men appear in the film, they are grist for the mill in the social circle of Mary Haines (Norma Shearer) and her catty clique of high-society wives. However, Mary's tidy world is turned upside down when she accidentally learns of her husband's philandering. Crystal Allen (Joan Crawford), a vicious vixen and ruthless gold digger, has set her sights on Mary's husband; Mary initially plays right into her hands, but soon, with the advice and support of comrades experienced in the art of woman-to-woman combat, Mary decides she won't give up without a fight. The tale's semiregressive premise has been criticized for this reason, yet this does not overshadow the host of exceptional performances and the range of complex relationships the film presents. As a fantasy of a women-only world of glamour, idle pleasures, and raw sexual competition, the film has enjoyed a cult following--owing, no doubt, in part to a hard-as-nails performance by Crawford that was credited with reviving her career. [More]
Starring: Norma Shearer, Joan Crawford, Rosalind Russell, Joan Fontaine
Starring: Norma Shearer, Joan Crawford, Rosalind Russell, Joan Fontaine, Paulette Goddard, Lucile Watson, Phyllis Povah, Virginia Weidler, Carol Hughes, Muriel Hutchison
Director: George Cukor
Director: George Cukor
Producer: Hunt Stromberg
Screenwriter: Anita Loos
Story: Clare Boothe Luce
Composer: Edward Ward, David Snell
Reviews for The Women
An early, classic manifestation of the chick flick if ever we saw one, it achieves everything it sets out to.
A more eccentric film than the following year’s The Philadelphia Story, with which it shares a couple of faces, it’s almost as fabulous.
Isn't quite as nasty as it probably could have been, coming several years after the establishment of the Hays Code, but it's still plenty witty.
An enduring favorite that features a constellation of top female stars (in an exclusively female cast) dishing the dirt on each other like there's no tomorrow.
[Cukor is] at his best with a cast that includes Rosalind Russell, Norma Shearer, Joan Crawford, Hedda Hopper, Ruth Hussey, Paulette Goddard, and Joan Fontaine.
The tagline says it's all about men, but this 1939 comedy is really a testament to the females of a certain era, and how they go about securing their comfort and happiness.
A highlight of MGM's ensemble films, Cukor's all-star version of Booth's stinging play is all about wisecracking cattiness of wives and mistresses (of the upper class), confirming men's suspicions of what women talk about when they are not around.
Every time The Women threatens to drag, there’s always Russell and Crawford, towering over the cast with their cold stares and queenly hauteur, reminding us what being an A-list actress once meant.
a bitchy but endearing mix of comedy and melodrama. Norma Shearer holds the chaos together with improbable dignity.
The catty banter and Wildean aphorisms (some of them contributed by Anita Loos) are delivered with impeccable timing by a cast only MGM could have mustered.
Cukor's direction is rich and confident, and the whole production fairly shimmers.
Latest News for The Women
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September 20, 2007:
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After thirteen years in development, the Diane English-directed remake of The Women is finally filming -- and, as Variety reports, some familiar names have just been added to... More...
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