A magnificently eerie entry from the early days of Hollywood horror.
The Black Cat (1934)
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Reviews Counted:26
Fresh:22
Rotten:4
Average Rating:7.3/10
Runtime: 66 mins
Genre: Horror/Suspense
Synopsis: This highly regarded Universal horror classic was the first pairing of Boris Karloff and Bela Lugosi. Bela plays Dr. Vitus Verdegast, a mysterious traveler who returns to the art-deco mansion of... This highly regarded Universal horror classic was the first pairing of Boris Karloff and Bela Lugosi. Bela plays Dr. Vitus Verdegast, a mysterious traveler who returns to the art-deco mansion of his old military commander, the Satan-worshipping Poelzig (Karloff). The two horror stars wander through the hallways looking at dead girls floating in glass tanks. They also play chess for the lives of a newlywed couple stranded at the mansion (David Manners and Jacqueline Wells). Dr. Verdegast deals with a black cat that paralyzes him with fear, and Poelzing conducts a Satanic Mass in Latin. Cult director Edgar G. Ulmer made a name for himself with this bizarre masterpiece, which is filled with dreamy camera movements, and fanciful Bauhaus style architecture (Ulmer worked for many years as an art director for Max Reinhart and F.W. Murnau). This is one of the best (and weirdest) of all the Universal horror films of the 1930s. Classic monster lovers who fondly remember films like the original FRANKENSTEIN and DRACULA should do themselves a huge favor in seeking it out. [More]
Starring: Boris Karloff, Bela Lugosi, David Manners, Jacqueline Wells
Starring: Boris Karloff, Bela Lugosi, David Manners, Jacqueline Wells, Lucille Lund, Henry Armetta, Egon Brecher
Director: Edgar G. Ulmer
Director: Edgar G. Ulmer
Producer: Carl Laemmle
Screenwriter: Edgar G. Ulmer, Peter Ruric
Composer: Heinz Roemheld
Reviews for The Black Cat
Sumptuously subversive... one of the very best horror movies Universal ever made.
Ulmer never again had the budgetary resources granted him by Universal (at the time, Karloff and Lugosi were two of the studio's biggest stars), and he makes the most of them.
A woderfully perverse and creepy delight. If Karloff's religion doesn't scare you, his hairdo will.
More foolish than horrible. The story and dialogue pile the agony on too thick to give the audience a reasonable scare.
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