Givens, Lawrence and Berry all put in enjoyable performances, and while Murphy can no longer match those memorable early roles, he's on good form here.
Boomerang (1992)
Tomatometer
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Reviews Counted:26
Fresh:10
Rotten:16
Average Rating:4.8/10
Runtime: 1 hr 58 mins
Genre: Comedies
Synopsis: Marcus Graham (Eddie Murphy) is a successful young marketing executive who has never lacked for attention from women. The cocky ladies' man views each new conquest as another notch on the holster... Marcus Graham (Eddie Murphy) is a successful young marketing executive who has never lacked for attention from women. The cocky ladies' man views each new conquest as another notch on the holster of his oversized ego. But one day the tables are turned, and he falls for a high-powered female executive who treats him the same way he's been treating women for the last 15 years. Marcus realizes that it's not so fun to be on the other side of objectification and rejection, and he soon finds himself becoming a quivering bundle of insecurities. The question is whether he will learn enough from the experience to see that true love has been right under his nose all along. [More]
Starring: Eddie Murphy, Robin Givens, Halle Berry, David Alan Grier
Starring: Eddie Murphy, Robin Givens, Halle Berry, David Alan Grier, Martin Lawrence, Grace Jones, Geoffrey Holder, Eartha Kitt
Director: Reginald Hudlin
Director: Reginald Hudlin
Reviews for Boomerang
Then there's the input from Warrington and Reginald Hudlin, producer and director respectively, who succeed in creating a comedy which, unusually for a Murphy film, also exists around him.
The film is far too slick to be ineffective, but its attempts to play with the sex-war theme are often unbelievably crass.
This movie has a charming Eddie Murphy, a slick and grown-up comedian. Most of his movies have no trace of this man.
It's not even funny. Nor does it contain half the wit or charm as the old Doris Day sex comedies it so resembles. In fact, it's downright mean-spirited toward women, as is Murphy's wont.
The general idea is to exploit a certain amount of role reversal, and Reginald Hudlin, who directed House Party, does a fairly good job of making this fun.
Whatever [Murphy] was thinking during the dark days of his career slump, it seems to have paid off handsomely.
A witless, sexist, offensive mishmash that is surprisingly inept, considering all the high-power talent involved.
There's something paradoxical about the ease he radiates in playing a man who is supposed to be a smashing success. As an underdog, Mr. Murphy worked much harder.
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