William Goldman's leisurely script and Forbes' dull direction never quite capture the subtleties of Ira Levin's novel about an idyllic Connecticut commuter village where the housewives are a bunch of domesticated dummies.
The Stepford Wives (1975)
Tomatometer
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Reviews Counted:27
Fresh:18
Rotten:9
Average Rating:6.2/10
Runtime: 1 hr 55 mins
Genre: Horror/Suspense
Synopsis: Katharine Ross stars in this classic horror film as Joanna, a woman who moves to Stepford, Connecticut, along with her husband Walter (Peter Masterson) and her best friend Bobbie (Paula Prentiss).... Katharine Ross stars in this classic horror film as Joanna, a woman who moves to Stepford, Connecticut, along with her husband Walter (Peter Masterson) and her best friend Bobbie (Paula Prentiss). As the two women meet the other housewives who live in Stepford, they begin to notice that all of them are interested only in cooking, cleaning, and pleasing their husbands. Joanna and Bobbie are further alarmed when their husbands join the mysterious Stepford Men's Club, which convenes in a heavily guarded mansion and harbors a nefarious secret agenda. Based on the novel by Ira Levin (ROSEMARY'S BABY) and followed by the made-for-television sequels THE REVENGE OF THE STEPFORD WIVES, THE STEPFORD CHILDREN, and THE STEPFORD HUSBANDS. [More]
Starring: Katharine Ross, Paula Prentiss, Peter Masterson, Nanette Newman
Starring: Katharine Ross, Paula Prentiss, Peter Masterson, Nanette Newman, Tina Louise, Carol Rossen, Judith Baldwin, William Prince, Mary Stuart Masterson, Dee Wallace, George Coe, Franklin Cover, Robert Fields, Michael Higgins, Josef Sommer
Director: Bryan Forbes
Director: Bryan Forbes
Screenwriter: William Goldman
Producer: Edgar J. Scherick
Composer: Michael Small
Reviews for The Stepford Wives
Critical of the suburban milieu as a petri dish where regressive sexist fantasies are cultivated.
The Stepford Wives contains a number of timeless scenes that are the essence of women's fears about the patriarchal society in which they live.
Maintains a satisfying level of suspense, and if nothing else beats the stuffing out of the lame remake.
The story is built on a foundation of fear and paranoia, yet it manages to give us a satisfying conclusion, proving that sometimes our sixth sense is not so far off.
The first hour takes what feels like two, and the last 44 minutes goes like an Indy car, so the pace is alternately snail's and Lamborghini's.
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