This is a B-movie screenplay with an A-level cast and crew.
Twilight (1998)
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Reviews Counted:52
Fresh:32
Rotten:20
Average Rating:6.2/10
Runtime: 1 hr 36 mins
Genre: Dramas
Synopsis: As in his 1977 film THE LATE SHOW, Robert Benton focuses on a private detective who's playing the back nine. With the passing of a quarter century, however, the director's tone had grown more... As in his 1977 film THE LATE SHOW, Robert Benton focuses on a private detective who's playing the back nine. With the passing of a quarter century, however, the director's tone had grown more somber. Paul Newman stars as the detective, Harry Ross, living in semiretirement in Santa Monica on the estate owned by his movie-star friends, Jack (Gene Hackman) and Catherine Ames (Susan Sarandon). When Harry delivers a package as a favor to Jack, he finds fellow private dick Lester Ivar (M. Emmett Walsh) dying from a bullet wound. Harry checks out Ivar's apartment, where he uncovers 20-year-old clippings relating to the disappearance of Catherine's first husband. As he tries to get to the bottom of the case, he enlists the help of a former lover, LAPD lt. Verna Hollander (Stockard Channing), and receives unsolicited assistance from feckless chauffeur Reuben Escobar (Giancarlo Esposito). Ex-cop and former studio security chief Raymond Hope (James Garner) also seems to know a thing or two about the case. Strong ensemble acting and Benton's characteristically nuanced and intelligent writing highlight this sinuous, richly textured murder mystery. [More]
Starring: Paul Newman, Susan Sarandon, Gene Hackman, Stockard Channing
Starring: Paul Newman, Susan Sarandon, Gene Hackman, Stockard Channing, Cora Witherspoon, Reese Witherspoon, Giancarlo Esposito, James Garner
Director: Robert Benton
Director: Robert Benton
Screenwriter: Robert Benton, Richard Russo
Producer: Arlene Donovan, Scott Rudin
Composer: Elmer Bernstein
Reviews for Twilight
The film makes it a pleasure to watch the main characters -- played by Newman, Susan Sarandon, Gene Hackman and James Garner -- sparring in style.
Whenever Newman, Sarandon and Hackman are in the same scene, there's something like 107 years of film-acting is up there on the screen, and it shows.
It's hard to resist a movie with great actors like Paul Newman, Gene Hackman, Susan Sarandon and James Garner. But Twilight almost makes you want to.
Too much of it feels like a movie made by geezers, with geezers and for geezers.
Part of Twilight's charm is the way it reconfigures Rio Bravo, El Dorado, and Rio Lobo in the process of making its own discoveries, not so much imitating or appropriating the earlier films as applying their strategies to goals quite alien to Hawks.
At a slim 94 minutes, there's a lot of stuff that's packed into an awfully small package. Still, the chance to see Newman, Sarandon and Hackman working together is worth a cramp or two.
Twilight is curiously missing the one element that should be a mystery-thriller's stock-in-trade: the element of surprise.
Writer-director Robert Benton obviously intended to paint this neo-noir in somber tones, but he's succeeded beyond what's good for his movie.
Robert Benton's direction is strong with careful attention to shots and minutiae, giving the film's actors the chance to show off their inner workings with the flick of a lighter or the tremble of a hand.
The movie's story is too obvious in its message, and too absurd in its plotting.
As a chance to see some old Hollywood luminaries act together, the show delivers. Why they weren't given a decent script is the movie's real mystery.
A fascinating, elegantly plotted yarn that offers a haunting perspective on who we seem to be, who we are and what really counts.
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