This disgustingly gory science-fiction/horror film also bears a striking resemblance to last year's equally graphic Deep Rising and nearly surpasses that film with its sheer stupidity.
Virus (1998)
Tomatometer
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Reviews Counted:41
Fresh:4
Rotten:37
Average Rating:3.1/10
Consensus: Despite its great special effects, this movie's predictability greatly undermines its intensity.
Runtime: 1 hr 40 mins
Genre: Action/Adventure
Synopsis: Passengers of a tugboat take refuge in a supposedly abandoned Russian research vessel to wait out a storm in the middle of the Atlantic. Little do they know that the crew has been killed by an... Passengers of a tugboat take refuge in a supposedly abandoned Russian research vessel to wait out a storm in the middle of the Atlantic. Little do they know that the crew has been killed by an alien life form which looks at humans as a virus to be eliminated. The elimination is done by combining parts of human bodies with machinery to create deadly life-exterminating creatures. From the producer of ALIENS and based on a series from Dark Horse Comics. [More]
Starring: Jamie Lee Curtis, Donald Sutherland, William Baldwin, Joanna Pacula
Starring: Jamie Lee Curtis, Donald Sutherland, William Baldwin, Joanna Pacula, Marshall Bell
Director: John Bruno
Director: John Bruno
Screenwriter: Chuck Pfarrer
Producer: Gale Anne Hurd
Reviews for Virus
As long on adrenaline and special effects as it is short on genuine novelty and intellectual content.
The effects in Virus are not exactly whizz-bang, but the pace is good and the tension is on-going.
You always have to be careful with the initial releases of any calendar year.
A poorly conceived thriller that sidesteps everything that really would be interesting about an Ebola outbreak in favor of an overused plot.
It's so unmemorable that I couldn't recall what movie I had seen while the credits were rolling.
For a movie about aliens determined to kill us all, this is pretty reassuring stuff.
Curtis's earnest performance would be better suited for a more intelligent, exciting script, one where "What the hell was that?' and 'What the hell is going on?' don't make up 95% of the dialogue.
The monsters themselves are quite a bit less than frightening, most of them being little mechanical gadgets with spidery legs and not much resistance to machine-gun fire.
The last shot is an homage to The African Queen, a movie I earnestly recommend instead of this one.
I'd even be tempted to call it old-fashioned, except for the existence of far more sophisticated films from the fifties.
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