Amid languorous style, the story gets lost, which is a pity because it could have been a nice quirky one.
George Washington (2000)
Runtime: 90 mins
Synopsis: David Gordon Green makes a stunning directorial debut with GEORGE WASHINGTON, a highly poetic drama that tells the story of the inhabitants of a small, impoverished southern town. Focusing on a group of five adolescent friends--George (Donald Holden), Nasia (Candace Evanofski), Buddy... David Gordon Green makes a stunning directorial debut with GEORGE WASHINGTON, a highly poetic drama that tells the story of the inhabitants of a small, impoverished southern town. Focusing on a group of five adolescent friends--George (Donald Holden), Nasia (Candace Evanofski), Buddy (Curtis Cotton III), Vernon (Damian Jewan Lee), and Sonya (Rachel Handy)--Green uses the town's barren landscape to provide a bleak, yet beautiful, backdrop for their day-to-day lives. After Nasia breaks up with Buddy for George, an introverted youth with an extremely sensitive fontanel, tragedy strikes and the friends are forced to come to terms with the situation. The resulting internal struggles send each individual into a search for redemption in intensely personal, yet very different, ways. Green's film is reminiscent of Terrence Malick's DAYS OF HEAVEN in its potent blend of naturalistic acting, lush photography, and nostalgic voice-over. The 24-year-old shows a maturity that many older directors rarely attain. It is this overriding optimism that makes it such an uplifting moviegoing experience, even amidst such somber circumstances. Also, there is an understated humor--most notably in Paul Schneider's portrayal of Rico Rice--that keeps matters hopeful throughout. GEORGE WASHINGTON is an honest, thoughtful, and deeply transcendent motion picture. [More]
Genre: Dramas
Starring: Candace Evanofski, Donald Holden, Curtis Cotton, Damian Jewan Lee, Eddie Rouse
Screenwriter: David Gordon Green
Producer: Lisa Muskat, Sacha W. Mueller, David Gordon Green
Composer: Michael Linnen, David Wingo, Andrew Gillis, Brian McBride, Mazinga Phaser
DVD Info
Release:
Dec 3, 2002
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 2.35
- Single Side - Dual Layer
Audio:
- Stereo 2.0 - English
Additional Release Material:
- Alternate Scenes - Deleted Scenes
- Audio Commentaries - 1. David Gordon Green - Director
- 2. Tim Orr - Cinematographer
- 3. Paul Schneider - Actor
- Bonus Shorts - 1. "Pleasant Grove"
- 2. "Physical Pinball"
- 3. "A Day With the Boys"
- Interviews
- Trailers - Original Theatrical Trailer
Reviews
Poetic, patient and beautiful, it's an astoundingly mature film from 25 year old debutant director Green.
The film absorbs elements of documentary and improvisation to produce a remarkably organic whole.
Beautifully-photographed, lyrical film by debut director David Gordon Green -- definitely a talent to watch.
With a kind of eerie beauty and simplicity, David Gordon Green captures a slice of American life in this truly original film.
On the basis of this stunningly impressive feature debut, [director Green] is set to become a Terrence Malick for the 21st century, reviving the values of artistry and reflectiveness in American indie cinema.
You want to like the film more, but, unfortunately, it just moves too slowly, not enough happens and the characters just don't have enough interesting or original things to say.
You have to bring a lot of yourself to this film if you want it to give something back, but the rewards are considerable.
Stylized to the point of poetry, David Gordon Green's impressive debut fuses the lyricism of Terence Malick with Harmony Korine's willingness to poke around the garbage-strewn landscape of the American underclass.
Undistinguished and uninvolving attempt to offer a rural spin on Kids.
It's possible to keep one's feet on the ground and still appreciate the film's quiet verbal and visual poetry.
Has the feeling of a breathing issue of National Geographic as told threw the words of George Steinbeck and through the brush of Norman Rockwell.
Whether George Washington is a false dawn or the start of a whole new hope it remains one of the films of the year. Dream with it while you can.
Like eavesdropping on people you didn't even know existed in America
It's nicely filmed, especially in the places where kid's-eye views of machinery, fields, and junk yards are seen.
A gracious sleepwalk of a movie that could have used a firmer strut.
Combines the earthy lyricism of Terrence Malick with the muted eccentricities of a young David Lynch… a [gorgeous], quietly idealistic tale of adolescent soul-searching.
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