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Faithless

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Faithless (2001)

85%
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85 %
Reviews Counted: 68 Fresh: 58  Rotten:10 Average Rating: 7.1/10
 
Consensus: This brooding, measured look at adultery is ultimately emotionally riveting, thanks to its script and performances.
 

How does the Tomatometer work?

The Tomatometer measures the percentage of positive reviews from Approved Tomatometer Critics for a certain movie.[-]

Runtime: 2 hrs 22 mins

Synopsis: Directed by Liv Ullmann from a script by Ingmar Bergman and starring Lena Endre and Erland Josephson, FAITHLESS is a story of passion and infidelity based on a real event in Bergman’s past. A sensation at this year’s Cannes Film Festival, where Lena Endre’s bravura lead performance was justly... Directed by Liv Ullmann from a script by Ingmar Bergman and starring Lena Endre and Erland Josephson, FAITHLESS is a story of passion and infidelity based on a real event in Bergman’s past. A sensation at this year’s Cannes Film Festival, where Lena Endre’s bravura lead performance was justly celebrated, the film has also been featured at the Toronto, Telluride, New York and Montreal film festivals. FAITHLESS will have its U.S. theatrical release in late January 2001.

Lyrical, passionate, and enigmatic, FAITHLESS begins with a writer named Bergman (Erland Josephson, who co-starred with Ullmann in Bergman’s 1974 Scenes From a Marriage) summoning his muse in the form of a memory. Marianne (Lena Endre) appears to Bergman as he sits down to write a script about a love affair of long ago. As she discusses ideas for the story with Bergman, she is transformed into the main character of the film that he is now writing.

Marianne Vogler is a successful actress happily married to Markus (Thomas Hanzon), an orchestra conductor much in demand for overseas concerts and devoted to her young daughter Isabelle (Michelle Gylemo). Into this easy equation steps family friend David (Krister Henriksson), a film director notorious for his reckless attitude toward relationships. Marianne’s friendship with David develops into passion, and they yield to temptation, traveling to Paris to indulge in an affair that then continues upon their return to Sweden.

Eventually Markus, who has suspected the affair all along, confronts the faithless couple, his wife and friend, in the very bedroom they have been meeting in. He demands divorce and custody of Isabelle. Marianne begs Markus to let her have Isabelle, but he refuses. What began as a casual affair threatens to destroy a marriage, a friendship, a family, and a man.

Despite the film’s dark themes, Lena Endre triumphs with her radiant performance. Onscreen for most of the film, Endre’s Marianne is a woman whose passion and intelligence makes her choices a story of unforgettable emotional power.

Liv Ullmann’s second film based on a Bergman screenplay (1997’s Private Confessions was the first), FAITHLESS is the latest of many collaborations between Bergman and Ullmann. Ullmann has been featured as an actress in nine of the director’s greatest films including Persona (1966), Scenes From A Marriage (1974), and Autumn Sonata (1978). Filled with references to Bergman’s films and to his life as a man and an artist, FAITHLESS is timeless meditation upon relationships between women, men, art and love. [More]

Genre: Dramas

Starring: Lena Endre, Erland Josephson, Krister Henriksson, Tomas Hanzon, Michelle Gylemo

Director: Liv Ullmann
Screenwriter: Ingmar Bergman
Composer: Johannes Brahms, Anton Bruckner, Wolfgang Amadeus Mozart

DVD Info

Release:

Oct 10, 2003

[DVD Details]

Reviews

 
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1 - 20 (sorted by date; UK critics are listed first)
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N/R

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Full Review | comment Comment
01/26/06
Time Out
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N/R

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12/15/03
Alexander Walker
Daily Mail [UK]
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3/4

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Full Review | comment Comment
11/20/02
Ian Waldron-Mantgani
UK Critic
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3.5/5

It's well worth seeing ... as long as two and a half hours of intense Swedish drama don't scare you off!

Full Review | comment Comment
11/20/02
Rich Cline
Shadows on the Wall
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11/20/02
Empire Magazine
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N/A

If Ullmann has unquestionably appropriated from her years with Bergman (and Josephson) a magnificent empathy with her players, she is also rewardingly attentive to visual detail.

Full Review | comment Comment
03/03/02
Philip Strick
Sight and Sound
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4/5

A mesmerising slow-burner of the first order.

Full Review | comment Comment
06/08/01
Michael Thomson
BBC
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N/A

This could be a regretful remembrance of things past on the part of "Bergman" or it could be a pure fiction torn from the ether.

Full Review | comment Comment
04/19/08
Keith Uhlich
House Next Door
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3.5/4

Faithless comes with a pedigree that's hard to beat.

Full Review | comment Comment
05/26/06
Jeffrey M. Anderson
Combustible Celluloid
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2/5

No review available.

comment Comment
06/30/05
Emanuel Levy
EmanuelLevy.Com
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B+

It's a movie that shows us that the silence between two people can be more dramatic than 100 pages of dialogue.

Full Review | comment Comment
02/21/04
Steve Murray
Atlanta Journal-Constitution
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4/5

Slow, but involving Ullman-Bergman collaboration.

comment Comment
10/15/03
Ken Hanke
Mountain Xpress (Asheville, NC)
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3/5

Faithless is a journey worth taking, but it's best to travel alone.

Full Review | comment Comment
03/04/03
Harry Guerin
RTE Interactive (Dublin, Ireland)
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3.5/5

It's a provocative, deeply detailed film, finely crafted both in the studio and in the editing room by Ullman.

Full Review | comment Comment
02/27/03
Rich Cline
Film Threat
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2/5

The then over-amplification of psychiatric-like meetings and counseling and the trivial and pedestrian matter of the affair are drowned in a mawkish, morose and unendurable pacing.

Full Review | comment Comment
12/10/02
Greg Muskewitz
eFilmCritic.com
N/R

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11/23/02
Cheryl DeWolfe
Apollo Guide
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11/20/02
Ebert & Roeper
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3/4

A probing look at love, marriage, fidelity, rivalry, and other deep-rooted emotional issues.

Full Review | comment Comment
11/20/02
David Sterritt
Christian Science Monitor
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N/A

Henriksson, Hanzon and Josephson are fine as well, but the film belongs to Endre and Gylemo.

Full Review | comment Comment
11/20/02
Jean Lowerison
San Diego Metropolitan
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B

No longer seeking God and Truth, Bergman now searches for the more attainable goals of forgiveness and redemption.

Full Review | comment Comment
11/20/02
John A. Nesbit
Old School Reviews
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