While Glover, the irrepressible eccentric of River's Edge, Dead Man and Back to the Future, is perfect casting for the role, he represents Bartleby's main overall flaw.
Bartleby (2002)
Tomatometer
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Reviews Counted:54
Fresh:19
Rotten:35
Average Rating:5.1/10
Consensus: Bartleby is a rather dull affair, stretched over a too-long running time.
Runtime: 83 mins
Genre: Comedies
Synopsis: Former musician Jonathan Parker makes his feature film directorial debut with a modern retelling of the Herman Melville classic, BARTLEBY THE SCRIVENER. The off-kilter comedy follows the boss of a... Former musician Jonathan Parker makes his feature film directorial debut with a modern retelling of the Herman Melville classic, BARTLEBY THE SCRIVENER. The off-kilter comedy follows the boss of a public records company (played by David Paymer), whose life slowly begins to unravel when he hires a new employee. The quiet and reserved clerk, Bartleby (Crispin Glover), is at first a welcome addition to the office, especially when compared to the distracting presences of sultry secretary Vivian (Glenne Headly), macho Rocky (Joe Piscopo), and whiny Ernie (Maury Chaykin). But when the boss's requests for Bartleby to perform any tasks other than filing, his enigmatic replies of, "I would prefer not to," begin to test everyone's patience. The situation becomes more troubling when the boss learns that Bartleby has, in fact, begun to sleep in the office. Fed up with his inability to perform the simplest of tasks, he fires Bartleby, who remains in the office nonetheless. Finally, the boss moves locations in order to break free from the mysterious void of a man, who has formed a strange attachment to the building. This doesn't provide a refuge from Bartleby's presence, however, which continues to haunt him at every waking moment. A colorful and quirky tale, BARTLEBY features another bizarre performance from the always-eccentric Glover. [More]
Starring: Crispin Glover, David Paymer, Glenne Headly, Joe Piscopo
Starring: Crispin Glover, David Paymer, Glenne Headly, Joe Piscopo, Maury Chaykin, Seymour Cassel, Carrie Snodgress
Director: Jonathan Parker
Director: Jonathan Parker
Screenwriter: Jonathan Parker, Catherine di Napoli
Story: Herman Melville
Producer: Jonathan Parker
Reviews for Bartleby
Wanna know how to make 80 minutes magically feel like five hours? Just sit through this dragging adaptation of the little-known Herman Melville novella 'Bartleby the Scrivener.'
Funny, somber, absurd, and, finally, achingly sad, Bartleby is a fine, understated piece of filmmaking.
Sad to say, it lacks the pace and energy to make it come alive and therefore remains more of a literary conceit than a movie.
A Frankenstein mishmash that careens from dark satire to cartoonish slapstick, Bartleby performs neither one very well.
Parker updates the setting in an attempt to make the film relevant today, without fully understanding what it was that made the story relevant in the first place.
With a small budget and a brilliant team, director/co-writer Jonathan Parker has brought new relevance to Bartleby's revolt, and converted an office sitcom format into a damning critique of the way many people spend their days.
It's nice to see Piscopo again after all these years, and Chaykin and Headly are priceless.
I admire it and yet cannot recommend it, because it overstays its natural running time.
Parker should be commended for taking a fresh approach to familiar material, but his determination to remain true to the original text leads him to adopt a somewhat mannered tone ... that ultimately dulls the human tragedy at the story's core.
As satisfyingly odd and intriguing a tale as it was a century and a half ago...has a delightfully dour, deadpan tone and stylistic consistency.
The loud, musty production design ... smells of recirculated air and enervated ambition, but unfortunately, so does the movie itself.
Jonathan Parker's Bartleby should have been the be-all-end-all of the modern-office anomie films.
Is office work really as alienating as 'Bartleby' so effectively makes it?
Mr. Parker has brilliantly updated his source and grasped its essence, composing a sorrowful and hilarious tone poem about alienated labor, or an absurdist workplace sitcom.
From its nauseating spinning credits sequence to a very talented but underutilized supporting cast, Bartleby squanders as much as it gives out.
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