Likely to frustrate viewers not alienated or put off by all of the violent material in the first place.
Brother (2001)
Tomatometer
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Reviews Counted:70
Fresh:32
Rotten:38
Average Rating:5/10
Consensus: There is too much hollow bloodshed in Brother, and the characters are stereotypically flat.
Runtime: 1 hr 53 mins
Genre: Action/Adventure
Synopsis:
Abandoned by the brotherhood of his yakuza clan, tough guy Yamamoto (Beat Takeshi) is forced to leave Tokyo. He goes to Los Angeles in search of Ken (Claude Maki), his younger half-brother. Alone...
Abandoned by the brotherhood of his yakuza clan, tough guy Yamamoto (Beat Takeshi) is forced to leave Tokyo. He goes to Los Angeles in search of Ken (Claude Maki), his younger half-brother. Alone and with a new identity, Yamamoto finds himself frustrated by foreign surroundings, especially since he doesn't speak the language.
Yamamoto eventually tracks down Ken, who turns out to be a likable small-time drug dealer. When Ken introduces his older "aniki" to his home boys, Yamamoto is surprised to find that one of them is Denny (Omar Epps), an African-American guy with whom he had a violent run-in on his first day in Los Angeles. Despite initial suspicions and hostilities, an unexpected bond begins to develop between Denny and Yamamoto.
Much to his surprise, Yamamoto finds himself quickly back into the routine violence of his old Tokyo life. He efficiently and sardonically bumps off Ken's supplier and entire Chicano gang to take over their turf.
Before long, Yamamoto's gang grows in number. Business flourishes, money flows. Yamamoto and his boys now wear expensive suits, cruise in limousines and work out of classy loft offices. As success breeds jealousy, Yamamoto joins forces with young rival Japanese crime lord Shirase (Masaya Kato).
When the Japanese gang refuses to bow down to the Mafia, Yamamoto realizes there's no turning back. It's an all-out war without sanctuary for anyone. As things heat up, Yamamoto learns that only Denny has really caught on to the yakuza code of brotherhood... -- © 2001 Sony Picture Classics
Starring: Takeshi Kitano, Omar Epps, Tatyana Ali, Ryo Ishibashi
Starring: Takeshi Kitano, Omar Epps, Tatyana Ali, Ryo Ishibashi, Antwon Tanner, Susuma Terajima, Tetsuya Watari, James Shigeta, Masaya Kato, Claude Maki
Director: Takeshi Kitano
Director: Takeshi Kitano
Screenwriter: Takeshi Kitano
Producer: Jeremy Thomas, Masayuki Mori
Composer: Joe Hisaishi
Studio: Sony Pictures Classics
Reviews for Brother
Kitano presents all this mayhem in crisp and cool camera work that distances it and keeps it from becoming oppressive.
This somber and bloody retread is hardly the best place to first make Kitano's intimidating acquaintance.
Rarely has such an artful aesthetic been used to craft such sadistically violent junk.
There's nothing noble about Aniki's steadfastness; he's a violent thug who's simply more skilled and efficient than the other thugs surrounding him.
It’s a romantic fantasy of the gangster brotherhood and their doomed lives, executed with Takeshi’s unique mix of stoic ruthlessness and giddy energy.
It’s mainly Kitano's face — alternately warm and chilly, weatherbeaten and oddly expressive in spite of its partial paralysis — that speaks clearly in any language.
When it works, which is often, Kitano's movie is an anthropology of the distinctions between Japanese yakuza and American gangsters.
Of course, [Yamamoto's] behavior should horrify people, even criminals, because he is quite probably insane, a fact the movie never seems prepared to address.
We're made numb to the violence and bored by the lack of plot or character development.
What [Kitano fans are] looking for are increasingly novel and outrageous ways to ambush, mutilate and assassinate. And their hero doesn't disappoint.
Has all the bloody shootouts the writer-director-actor is known for, but loses its grip as it tries to grab for an emotional hook.
Kitano’s is a flawed work, but a breath of fresh air despite the problems.
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