avoids sentimentalizing or glamorizing the material, keeping it dry and always with an ironic edge
Heist (2001)
Tomatometer
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Reviews Counted:125
Fresh:82
Rotten:43
Average Rating:6.2/10
Consensus: Heist didn't cover any new ground, but the cast and Mamet's expertise with witty banter make it worthwhile.
Runtime: 1 hr 50 mins
Genre: Dramas
Synopsis: Written and directed by David Mamet, HEIST is a crime thriller that follows aging master thief Joe Moore (Gene Hackman) as he plans one last robbery before literally sailing off into the sunset.... Written and directed by David Mamet, HEIST is a crime thriller that follows aging master thief Joe Moore (Gene Hackman) as he plans one last robbery before literally sailing off into the sunset. What seems like the perfect heist gets complicated, however, when Joe's "business" partner, Bergman (Danny DeVito), insists that his shifty nephew, Jimmy Silk (Sam Rockwell), join the crew--consisting of Joe's young wife, Fran (Rebecca Pidgeon), and longtime associates Bobby Blane (Delroy Lindo) and Don "Pinky" Pincus (Ricky Jay). A tense battle of wits and wills ensues, leading to plenty of twists and turns before the grand finale. HEIST works wonderfully as a fast-paced, slight-of-hand caper flick. By focusing on dialogue over violence, Mamet allows his excellent script and remarkable cast to shine. Hackman (who seems incapable of giving a bad performance) and Lindo are particularly outstanding and carry the film as deftly as their characters plot their crime. Although the one-last-robbery tale has been told hundreds of times before, it's rarely been told better than this. [More]
Starring: Gene Hackman, Danny DeVito, Delroy Lindo, Ricky Jay
Starring: Gene Hackman, Danny DeVito, Delroy Lindo, Ricky Jay, Sam Rockwell, Rebecca Pidgeon, Patti LuPone
Director: David Mamet
Director: David Mamet
Screenwriter: David Mamet
Producer: Art Linson, Andrew Stevens, Elie Samaha
Studio: Warner Bros.
Reviews for Heist
Unlike The Score, which tested viewers' patience until the climactic robbery with self-indulgent dramatics and cardboard dialogue, Heist has you in its grip from the get-go.
Betrayal only works if we care who ends up with whom, and Mamet fails to interest the audience in anything outside the macho banter.
Heist is Mamet's biggest and most accessible thriller to date, and if you've never seen any of his films, the movie will work its devilish magic. But for the initiated, Heist carries a whiff of disappointment.
The problem, is the plot, this has been done before and it seems tired, but hey, this is Mamet we're talking about and if anyone can redeem a mediocre plot, he can ... and he does.
Heist lacks the smugness of Mr. Mamet's State and Main but never reaches the wit-quota of his The Spanish Prisoner and Wag the Dog. Even if it's not memorable Mamet, it's a largely intriguing movie.
So it's not original. But Heist gets its snap and crackle from the precise language.
The Score got away clean, without resorting to violence. Heist isn’t so lucky. This house of cards goes down in a hail of bullets.
The viewer's biggest challenge is to survive fits of yawning so violent they could disrupt ornithic migratory patterns.
Does narrative cartwheels in a futile effort to outwit us....you'll probably emerge from the theatre thinking you're the one who's been robbed.
Mamet directs Heist, with excellent pacing, stylized camera work and high-charged dialogue.
Smart cinema, with a storyline that holds together and dialogue that stimulates your intellect like other movies’ car chases stimulate your adrenal gland.
While Heist doesn’t exactly rank alongside classics like House of Games and The Spanish Prisoner, it certainly has a beat that you can dance to.
Mamet can be an engaging cinematic con artist, but it's a lot more enjoyable to watch him making his money the old fashioned way: earning it.
An exhilaratingly tense thriller that benefits from an elaborate array of rapid-fire twists and the sharp, delicious, cadence of David Mamet dialogue.
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