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The Time Machine (2002)
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Reviews Counted:146
Fresh:41
Rotten:105
Average Rating:4.8/10
Consensus: This Machine has all the razzle-dazzles of modern special effects, but the movie takes a turn for the worst when it switches from a story about lost love to a confusing action-thriller.
Runtime: 1 hr 36 mins
Genre: Science-Fiction/Fantasy
Synopsis:
Scientist and inventor Alexander Hartdegen is determined to prove that time travel is possible. His determination is turned to desperation by a personal tragedy that now drives him to want to...
Scientist and inventor Alexander Hartdegen is determined to prove that time travel is possible. His determination is turned to desperation by a personal tragedy that now drives him to want to change the past. Testing his theories with a time machine of his own invention, Hartdegen is hurtled 800,000 years into the future, where he discovers that mankind has divided into the hunter…and the hunted.
Based on the classic science-fiction novel by H.G. Wells, "The Time Machine" stars Guy Pearce ("Memento," "L.A. Confidential") in the role of Alexander Hartdegen. Making her feature film debut, Dublin-born singer/songwriter Samantha Mumba stars opposite Pearce as Mara, the woman who befriends Hartdegen in the distant future. The international cast also includes Orlando Jones ("Evolution"), Mark Addy ("The Full Monty"), Phyllida Law ("Saving Grace"), Sienna Guillory ("Kiss Kiss Bang Bang") and Academy Award® winner Jeremy Irons ("Reversal of Fortune," "Die Hard: With a Vengeance").
A co-production of DreamWorks Pictures and Warner Bros. Pictures, "TheTime Machine" marks the live-action directorial debut of Simon Wells, who previously co-directed DreamWorks’ animated hit "The Prince of Egypt." Wells directed "The Time Machine" from a screenplay by John Logan ("Gladiator"), based on the screenplay by David Duncan. Walter F. Parkes ("Gladiator," upcoming "Men in Black 2") and David Valdes ("The Green Mile") produced the film, with Laurie MacDonald, Jorge Saralegui and Arnold Leibovit serving as executive producers, and John Logan co-producing. The film will be distributed domestically by DreamWorks, with Warner Bros. handling the international release.
-- © 2002 Dreamworks Pictures
Starring: Guy Pearce, Jeremy Irons, Orlando Jones, Samantha Mumba
Starring: Guy Pearce, Jeremy Irons, Orlando Jones, Samantha Mumba, Omero Mumba, Sienna Guillory, Mark Addy, Phyllida Law
Director: Simon Wells
Director: Simon Wells
Screenwriter: John Logan
Studio: DreamWorks Distribution LLC
Reviews for The Time Machine
The secrets of time travel will have been discovered, indulged in and rejected as boring before I see this piece of crap again.
Wells' movie is more content to rip off Tomb Raider than remain faithful to his great-grandfather's book.
It's passable big-budget trash, with a few diverting moments and a refreshing clarity in the design of the sets and special effects.
I love the opening scenes of a wintry New York City in 1899. Cinematic poetry showcases the city's old-world charm before machines change nearly everything.
The far future may be awesome to consider, but from period detail to matters of the heart, this film is most transporting when it stays put in the past.
... an agreeable time-wasting device -- but George Pal's low-tech 1960 version still rules the epochs.
... a far smarter remake of Wells than the 1996 Island of Dr. Moreau, a ludicrous giggle party for Marlon Brando.
Isn't a complete home run, but...is that rare special effects-laden feature that actually uses its brain and has something worthwhile to say.
This is a movie both efficient and vast, both ambitious and conventional, both funny and believable.
A charmingly old-fashioned adventure yarn,...but spruced up with state-of-the-art special effects...an affectionately realized updating of the old tale.
For every cheesy scene, though, there is a really cool bit -- the movie's conception of a future-world holographic librarian (Orlando Jones) who knows everything and answers all questions, is visually smart, cleverly written, and nicely realized.
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