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The Time Machine (2002)
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Reviews Counted:146
Fresh:41
Rotten:105
Average Rating:4.8/10
Consensus: This Machine has all the razzle-dazzles of modern special effects, but the movie takes a turn for the worst when it switches from a story about lost love to a confusing action-thriller.
Runtime: 1 hr 36 mins
Genre: Science-Fiction/Fantasy
Synopsis:
Scientist and inventor Alexander Hartdegen is determined to prove that time travel is possible. His determination is turned to desperation by a personal tragedy that now drives him to want to...
Scientist and inventor Alexander Hartdegen is determined to prove that time travel is possible. His determination is turned to desperation by a personal tragedy that now drives him to want to change the past. Testing his theories with a time machine of his own invention, Hartdegen is hurtled 800,000 years into the future, where he discovers that mankind has divided into the hunter…and the hunted.
Based on the classic science-fiction novel by H.G. Wells, "The Time Machine" stars Guy Pearce ("Memento," "L.A. Confidential") in the role of Alexander Hartdegen. Making her feature film debut, Dublin-born singer/songwriter Samantha Mumba stars opposite Pearce as Mara, the woman who befriends Hartdegen in the distant future. The international cast also includes Orlando Jones ("Evolution"), Mark Addy ("The Full Monty"), Phyllida Law ("Saving Grace"), Sienna Guillory ("Kiss Kiss Bang Bang") and Academy Award® winner Jeremy Irons ("Reversal of Fortune," "Die Hard: With a Vengeance").
A co-production of DreamWorks Pictures and Warner Bros. Pictures, "TheTime Machine" marks the live-action directorial debut of Simon Wells, who previously co-directed DreamWorks’ animated hit "The Prince of Egypt." Wells directed "The Time Machine" from a screenplay by John Logan ("Gladiator"), based on the screenplay by David Duncan. Walter F. Parkes ("Gladiator," upcoming "Men in Black 2") and David Valdes ("The Green Mile") produced the film, with Laurie MacDonald, Jorge Saralegui and Arnold Leibovit serving as executive producers, and John Logan co-producing. The film will be distributed domestically by DreamWorks, with Warner Bros. handling the international release.
-- © 2002 Dreamworks Pictures
Starring: Guy Pearce, Jeremy Irons, Orlando Jones, Samantha Mumba
Starring: Guy Pearce, Jeremy Irons, Orlando Jones, Samantha Mumba, Omero Mumba, Sienna Guillory, Mark Addy, Phyllida Law
Director: Simon Wells
Director: Simon Wells
Screenwriter: John Logan
Studio: DreamWorks Distribution LLC
Reviews for The Time Machine
If I had a time machine that could take me back only four hours, I'd take my nine dollars, find the original movie at a video store, and spend the rest on an In N'Out Burger.
...The computer-generated wizardry is certainly present and accounted for, even if the opportunity for social commentary or literary integrity has been left largely untapped.
While this remake of the H.G. Wells' classic novel and 1960 film is indeed a stunning achievement in special effects, his great- grandson and director Simon Wells really needs to go back a year and get the sadly lacking script rewritten.
I found myself glancing at my timepiece about every ten minutes of the interminable 96-minute running time of this latest tragic remake of a classic genre picture.
Modern take on H.G. Wells's sci-fi classic has great special effects but isn't especially affecting.
If H.G. Wells had a time machine and could take a look at his kin's reworked version, what would he say? 'It looks good, Sonny, but you missed the point.'
This is a film to look at, not to feel --or care much-- about. It comes down to little more than another s/f flic.
This film is more interested in the flash and dazzle that emits from imaging computers than the ideas that inspired the story in the first place.
A few pieces of the film buzz and whir; very little of it actually clicks. The thing just never gets off the ground.
A catatonic B-schlock-Indiana Jones-video game (trust me, the result is less interesting than it sounds).
After 30 minutes you'll pray for your own Time Machine so you go back to 5 minutes before you decided to see this movie.
I love the opening scenes of a wintry New York City in 1899. Cinematic poetry showcases the city's old-world charm before machines change nearly everything.
One of those staggeringly well-produced, joylessly extravagant pictures that keep whooshing you from one visual marvel to the next, hastily, emptily.
This new movie is an eye-candy spectacular but it's seriously lacking in the meaning department.
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