One key problem with these ardently Christian storylines is that there is never any question of how things will turn out.
Joshua (2002)
Tomatometer
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Reviews Counted:23
Fresh:5
Rotten:18
Average Rating:4.2/10
Consensus: Joshua is well-intentioned, but too heavy-handed.
Runtime: 90 mins
Genre: Dramas
Synopsis:
A man arrives in a small town. At first, no one knows his name; no one knows where he came from. He's strong. He's smart. He's "easy on the eyes." The locals want to call him a stranger, but when...
A man arrives in a small town. At first, no one knows his name; no one knows where he came from. He's strong. He's smart. He's "easy on the eyes." The locals want to call him a stranger, but when they meet him, he makes them feel quite the opposite - like they've known him their whole lives.
Theo, a lovable giant of a man, is the first to shake his hand, the first to learn his name. "Joshua." It's one seemingly simple sound that soon makes its way around town, into the hearts and minds of young and old. Joshua's name falls on the lips of Maggie, the pretty local girl-turned-news anchorwoman. It reaches Kevin, a troubled teen searching for his place in the world. Joshua's name reassures Joan, a housewife trying to put passion back into her marriage, and it reaches into the soul of a revival tent preacher to pull out a lifetime of shame.
Joshua is seemingly everywhere at once, making the kind of impression that few have ever felt. But it is exactly this influence that creates a division between the stubbornly orthodox Father Tardone and the well-meaning but less-than-confident Father Pat, two priests who believe very strongly in the same thing, but in very different ways.
"Sometimes you gotta' tear something down to build it back up again."
As a carpenter, that's one of Joshua's favorite sayings. So when the charismatic stranger sets his sights on rebuilding the burnt down Baptist church, it comes as little surprise that many in the town, regardless of their faith, lend a hand. But what ends up getting back up are each of their lives, their hearts, their trust in themselves and each other. Joshua has shown them how to believe. Especially Father Pat. And that draws the scrutiny of Father Tardone, who is not pleased with Joshua and his hold over the community.
"Deep in the hearts of so many people, there's an emptiness that nothing in this world can fill," Joshua admits, and this is especially true for the seasoned pastor. Why does he shun what others embrace?
When the reluctant priest finally recognizes the way, finally says the word through a whisper and a tear, it comes with a force of a revelation. "Joshua." It's is an exclamation of faith, a declaration of love and the realization that hope indeed does have a name.
That name is "Joshua." -- © Epiphany Films LLC
Starring: Tony Goldwyn, F. Murray Abraham, Stacy Edwards, Kurt Fuller
Starring: Tony Goldwyn, F. Murray Abraham, Stacy Edwards, Kurt Fuller, Giancarlo Giannini
Director: Jon Purdy
Director: Jon Purdy
Screenwriter: Brad Mirman
Studio: Artisan Entertainment
Reviews for Joshua
Overall, it's a very entertaining, thought-provoking film with a simple message: God is love.
What would Jesus do if He was a film director? He'd create a movie better than this.
In its own way, Joshua is as blasphemous and nonsensical as a Luis Buñuel film without the latter's attendant intelligence, poetry, passion, and genius.
The film falls short on tension, eloquence, spiritual challenge -- things that have made the original New Testament stories so compelling for 20 centuries.
Any attempts at nuance given by the capable cast is drowned out by director Jon Purdy's sledgehammer sap.
The script covers huge, heavy topics in a bland, surfacey way that doesn't offer any insight into why, for instance, good things happen to bad people.
What's refreshing about 'Joshua' is its acknowledgment that a spiritual 'message' can permeate without constant reminders of 'Look alive out there - here comes a Sunday school lesson!'
Ultimately, we're left with 90 minutes worth of good intentions and sweet sentiments that never coalesce into an involving story.
Not an objectionable or dull film; it merely lacks everything except good intentions.
A well-meaning but flat and awfully simple-minded parable that aims to be uplifting and ends up rather silly.
It's a persuasive spiritual journey, sentimental at times but never hopelessly cloying.
It's played in the most straight-faced fashion, with little humor to lighten things up. The heavy-handed film is almost laughable as a consequence.
Christians sensitive to a reductionist view of their Lord as a luv-spreading Dr. Feelgood or omnipotent slacker will feel vastly more affronted than secularists, who might even praise God for delivering such an instant camp classic.
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