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Hush! (2001)
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Reviews Counted:14
Fresh:11
Rotten:3
Average Rating:6.2/10
Runtime: 2 hrs 15 mins
Genre: Foreign Films
Synopsis: In this Japanese comedy from director Ryosuke Hashiguchi, a closeted gay man named Katsuhiro (Seiichi Tanabe) meets his match in outgoing Nayoa (Kazuya Takahashi), and the two seemingly opposite... In this Japanese comedy from director Ryosuke Hashiguchi, a closeted gay man named Katsuhiro (Seiichi Tanabe) meets his match in outgoing Nayoa (Kazuya Takahashi), and the two seemingly opposite men fall in love. When the couple are approached by a sad woman (Reiko Kataoka) who wants them to help her have a baby, and their disapproving parents try to break up the relationship, all involved are challenged to redefine the true meaning of family. [More]
Starring: Kazuya Takahashi, Seiichi Tanabe, Reiko Kataoka, Manami Fuji
Starring: Kazuya Takahashi, Seiichi Tanabe, Reiko Kataoka, Manami Fuji
Director: Ryosuke Hashiguchi
Director: Ryosuke Hashiguchi
Screenwriter: Ryosuke Hashiguchi
Studio: Strand Releasing
Reviews for Hush!
Starts promisingly but disintegrates into a dreary, humorless soap opera.
What might've been an exhilarating exploration of an odd love triangle becomes a sprawl of uncoordinated vectors.
Be patient with the lovely Hush! and your reward will be a thoughtful, emotional movie experience.
Though it breaks no new ground, it's quietly funny and moving, a welcome change of pace from the norm.
Although the editing might have been tighter, Hush! sympathetically captures the often futile lifestyle of young people in modern Japan.
While not quite a comedy, the film tackles its relatively serious subject with an open mind and considerable good cheer, and is never less than engaging.
If the incidents are piled on one another without adding up to much, they provide telling social details.
Hashiguchi covers this territory with wit and originality, suggesting that with his fourth feature -- the first to be released in the U.S. -- a major director is emerging in world cinema.
Hashiguchi uses the situation to evoke a Japan bustling atop an undercurrent of loneliness and isolation.
Hashiguchi ... enriches his rendition with melancholic ambivalence, sociological specificity, and a knack for delicate epiphany.
Hashiguchi vividly captures the way young Japanese live now, chafing against their culture's manic mix of millennial brusqueness and undying, traditional politesse.
Ryosuke has created a wry, winning, if languidly paced, meditation on the meaning and value of family.
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