Spider owes everything to its two British stars, Ralph Fiennes and Miranda Richardson, whose sexually charged ballet is its centre, as is the question: Mother or whore?
Spider (2003)
Tomatometer
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Reviews Counted:125
Fresh:106
Rotten:19
Average Rating:7.5/10
Consensus: Ralph Fiennes is brilliant in this accomplished and haunting David Cronenberg film.
Runtime: 1 hr 39 mins
Genre: Dramas
Synopsis:
The details of life are acute to Spider (Ralph Fiennes), who is in a constant struggle to overcome a traumatic event early in his life that forever shapes the real world he is forced to reside in....
The details of life are acute to Spider (Ralph Fiennes), who is in a constant struggle to overcome a traumatic event early in his life that forever shapes the real world he is forced to reside in. He has been allowed to give life a second chance after a long stay in a mental institution and returns to the streets of the East End of London where he grew up; sent to a halfway house under the stern, but unsupervised watch of Mrs. Wilkenson (Lynn Redgrave).
The sights, sounds and smells of being reacquainted with his old neighborhood send Spider further down a shadowy path that reawakens memories of his where his mother (Miranda Richardson) and his father (Gabriel Byrne) raised him.
His freedom from the sterile and medicated environment afforded by the institution gives rise to an unfolding mystery that surrounds his youth. As he revisits the familiar streets, Spider soon begins to uncover the real truth, shifting seamlessly back and forth between the tragic events that polarized a boy’s adolescence to the shell of a man enduring the surreal plausible reality of today.
Further complicating matters, the halfway house only seems to both confuse and focus his perceptions at the same time. Terrance (John Neville), who also lives in the house, is a kindred spirit and supplies a certain comfort that has been absent from Spider’s life. While Mrs. Wilkenson starts to personify his delusional account of his past, leading Spider to question his own memories.
Based on the compelling novel by Patrick McGrath, who also adapts the screenplay, the gothic and fantastical world that director David Cronenberg conjures up with SPIDER immerses the audience into the depths of a deeply disturbed boy who has crafted a reality all his own; a reality that takes him to the very limits of his faltering sanity. -- © Sony Pictures Classics
Starring: Ralph Fiennes, Miranda Richardson, Gabriel Byrne, Bradley Hall
Starring: Ralph Fiennes, Miranda Richardson, Gabriel Byrne, Bradley Hall, John Neville, Lynn Redgrave
Director: David Cronenberg
Director: David Cronenberg
Screenwriter: Patrick McGrath
Producer: David Cronenberg
Composer: Howard Shore
Studio: Sony Pictures Classics
Reviews for Spider
Tackles the primacy of sexual desire from an alien's outsider perspective: a quest in which the auteur has arguably been involved since the beginning of his career.
Working from Patrick McGrath's script and novel, Cronenberg delivers his most austere film to date.
Spider, David Cronenberg's latest, shows the director once again at the top of his form.
If you're on the fence about seeing Spider, make the trip for Richardson.
Filmmakers always gamble with an audience's sympathy when they resort to narrative trickery. I would argue that Mr. Cronenberg and Mr. McGrath have lost their gamble, though I can't help honoring their high-minded intentions.
What is the point of a gothic Edward Gorey riddle if it’s got all of the depression and none of the drollery?
David Cronenberg's magnificent, bleak Spider takes us into the mind of a madman and tells his life story entirely from his point of view.
Ralph Fiennes captures the profound agony of schizophrenia through the subtlest of movements.
It's not clear whether the film's uneasy ambiguity is intentional or merely the result of pretension or lact of artistic control.
After a while, it becomes clear that Cronenberg’s game plan is unchanging; scene after shadowy scene proceeds in the same lockstep.
What goes wrong with Spider is pretty basic: The audience has no idea why it was made.
An audience-unfriendly film that does little to invite the viewer in but compels attention nonetheless.
If you have the patience, its almost endless silences and extremely slow pacing eventually pay off.
Cronenberg's maturity as a filmmaker, as an uncompromising artist who plumbs the darkest depths of the human psyche, has never been more in evidence.
A macabre and intense psychological drama exploring memory and the dangers that can ensue from the far-fetched stories we tell ourselves about what is real.
Stick with the slow spin of the narrative; the intricate web will eventually snare you like an unsuspecting moth.
Arguably the subtlest, most carefully textured film of Cronenberg's career.
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