Spider reminds us, through its lead character, that human imagination is many things all at once: mechanistic, wondrous, stunted, unique, distressing, erotic, tragic.
Spider (2003)
Tomatometer
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Reviews Counted:125
Fresh:106
Rotten:19
Average Rating:7.5/10
Consensus: Ralph Fiennes is brilliant in this accomplished and haunting David Cronenberg film.
Runtime: 1 hr 39 mins
Genre: Dramas
Synopsis:
The details of life are acute to Spider (Ralph Fiennes), who is in a constant struggle to overcome a traumatic event early in his life that forever shapes the real world he is forced to reside in....
The details of life are acute to Spider (Ralph Fiennes), who is in a constant struggle to overcome a traumatic event early in his life that forever shapes the real world he is forced to reside in. He has been allowed to give life a second chance after a long stay in a mental institution and returns to the streets of the East End of London where he grew up; sent to a halfway house under the stern, but unsupervised watch of Mrs. Wilkenson (Lynn Redgrave).
The sights, sounds and smells of being reacquainted with his old neighborhood send Spider further down a shadowy path that reawakens memories of his where his mother (Miranda Richardson) and his father (Gabriel Byrne) raised him.
His freedom from the sterile and medicated environment afforded by the institution gives rise to an unfolding mystery that surrounds his youth. As he revisits the familiar streets, Spider soon begins to uncover the real truth, shifting seamlessly back and forth between the tragic events that polarized a boy’s adolescence to the shell of a man enduring the surreal plausible reality of today.
Further complicating matters, the halfway house only seems to both confuse and focus his perceptions at the same time. Terrance (John Neville), who also lives in the house, is a kindred spirit and supplies a certain comfort that has been absent from Spider’s life. While Mrs. Wilkenson starts to personify his delusional account of his past, leading Spider to question his own memories.
Based on the compelling novel by Patrick McGrath, who also adapts the screenplay, the gothic and fantastical world that director David Cronenberg conjures up with SPIDER immerses the audience into the depths of a deeply disturbed boy who has crafted a reality all his own; a reality that takes him to the very limits of his faltering sanity. -- © Sony Pictures Classics
Starring: Ralph Fiennes, Miranda Richardson, Gabriel Byrne, Bradley Hall
Starring: Ralph Fiennes, Miranda Richardson, Gabriel Byrne, Bradley Hall, John Neville, Lynn Redgrave
Director: David Cronenberg
Director: David Cronenberg
Screenwriter: Patrick McGrath
Producer: David Cronenberg
Composer: Howard Shore
Studio: Sony Pictures Classics
Reviews for Spider
Whatever the plot lacks in tension or pace it compensates for hundred fold by providing the outlet for a stunning performance from Fiennes.
Cleg's struggle to find himself amid the confusion of his memories is a powerful, uncompromising drama.
Ralph Fiennes snorts, yelps, mumbles and babbles his way through Spider so expertly (and excessively) that you only want to get away from him. Now.
Cronenberg has pulled off a richly visual feat of the imagination that ranks among his finest achievements.
I can't think of a recent movie that treats the schizoid mind with such delicate sympathy or, bravely, such saving wit.
Fiennes offers a brilliant performance that’s as enigmatic as the script.
The film's grayish mise-en-scene evokes the texture of a spider web, and the film's characters appear to hang from that web.
Una forma esquizofrénica de comprender el mundo, de describir el amor, y de narrar las ideas básicas que nos definen como seres humanos...
Thanks to the extraordinary efforts of Ralph Fiennes and Miranda Richardson, Spider is David Cronenberg's most perfectly realized film since Dead Ringers.
Something very close to a masterstroke, as truthful and affecting a depiction of mental illness as ever put to film.
The end result oddly seems revolutionary precisely because it tosses out so much cinematic technique, achieving far more technical excitement and emotional effect that one would think possible with what seems to be such effortless direction.
While Spider is an impressive and interesting exercise in mood with a great central performance, it remains a film that's easy to admire but hard to like.
Boasting the filmmaker's masterfully contained handiwork and pitch-perfect performances from its compact ensemble, the picture admittedly spins an intricate web of intrigue but does so at an awfully slow pace.
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