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Manic (2003)
Tomatometer
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Reviews Counted:7
Fresh:5
Rotten:2
Average Rating:6.7/10
Consensus: A well-acted drama about trouble teens.
Runtime: 1 hr 40 mins
Genre: Dramas
Synopsis: Jordan Melamed's directorial debut is a strikingly honest depiction of life in a juvenile mental ward. Following a disturbing and violent fight at school, Lyle (Joseph Gordon-Levitt) is... Jordan Melamed's directorial debut is a strikingly honest depiction of life in a juvenile mental ward. Following a disturbing and violent fight at school, Lyle (Joseph Gordon-Levitt) is admitted--against his will--to Northwoods Mental Institution. There he joins a group of troubled teens: withdrawn Tracey (Zooey Deschanel); bipolar Chad (Michael Bacall); rebellious Sara (Sara Rivas); confrontational Michael (Elden Henson); and fragile Kenny (Cody Lightning). At Northwoods, Lyle must decide if he will allow his rage to rule his life, or if he is willing to find the source of his anger and work through it. Like all of the patients, he is on a painful journey of self-discovery that may ultimately save him from himself. Don Cheadle stars as the resident psychiatrist who works tirelessly to break through to his charges and give them hope. Shot in digital video, the film often evokes the feel of a documentary, an effect enhanced by the emotional, raw performances of the actors. Cheadle and Bacall give particularly memorable performances, and Gordon-Levitt is riveting in a role that is a far cry from the lovable alien he played on the sitcom THIRD ROCK FROM THE SUN. [More]
Starring: Joseph Gordon-Levitt, Don Cheadle, Zooey Deschanel, Michael Bacall
Starring: Joseph Gordon-Levitt, Don Cheadle, Zooey Deschanel, Michael Bacall
Director: Jordan Melamed
Director: Jordan Melamed
Screenwriter: Michael Bacall, Blayne Weaver
Producer: Trudi Callon, Kirk Hassig
Composer: David Wingo, Michael Linnen
Studio: IFC Films
Reviews for Manic
At the end of Manic I'd seen nothing really new, and the camera style made me work hard to see it at all.
A riveting troubled teens story that has the unvarnished poignance of first-rank docus (e.g. Streetwise, Decline of Western Civilization III, etc.) on similar thematic turf.
The group-talk and anguished groping feel true, as does David's frustrations with the kids.
The camera work is so self-conscious and so intrusive that it consistently overrides our interest in the characters and their individual dramas.
A stunningly potent story of troubled patients at a juvenile mental institution.
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