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Luther (2003)
Tomatometer
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Reviews Counted:61
Fresh:27
Rotten:34
Average Rating:5.2/10
Consensus: This cinematic treatment of Martin Luther's life is more dull than inspiring.
Genre: Dramas
Synopsis: Armed with no more than his faith and quick wit, one man confronts the greatest powers on earth. Martin Luther's (Joseph Fiennes) bold actions foster an era of personal and religious freedoms... Armed with no more than his faith and quick wit, one man confronts the greatest powers on earth. Martin Luther's (Joseph Fiennes) bold actions foster an era of personal and religious freedoms unprecedented in history. A young law student, Luther abruptly enters a monastery when he believes his life is spared during a violent lightning storm. His ambitious father is infuriated, and Luther turns to a spiritual mentor, Father Johann von Staupitz (Bruno Ganz). Luther proves an eager, apt disciple and is selected to travel to Rome on church business. Luther enters the holy city with the wide-eyed ideals of a young man -- only to have them shattered. Depravity is everywhere. Here, Luther learns about "indulgences" that allow people to buy salvation for a fee and free themselves or deceased relatives from eternal damnation. Disillusioned by this profiteering he asks, "Is not salvation accessible to all?" Luther is sent to study at the university in Wittenberg and later becomes a professor of theology. Among his staunch supporters is Prince Frederick the Wise (Peter Ustinov), who admirers Luther's courage of conviction -- even through his vociferous opinions are beginning to cause ripples. In Rome, the new pope, Leo X, has mandated that funds be raised to build St. Peter's Basilica. The huge financial undertaking is to be financed by the sales of indulgences. The premiere "marketer" of indulgences, John Tetzel (Alfred Molina), preaches to German crowds about the hell fire awaiting their wretched souls should they forego this "special indulgence." Luther is incensed at such naked manipulation, inspiring him to write 95 Theses, an essay he nails to the local church's door. His ideas are reproduced via the new Guttenberg printing press and quickly spread throughout Europe. The Pope reacts angrily. Luther is to recant his heretical writings or face excommunication, trial by inquisition and likely death. The stage is set for confrontation. Luther stands defiant. A schism rips at the heart of the Church as the new "Protestant" movement begins. With the ascent of new attitudes about religion and social order, the world is changed forever. [More]
Starring: Joseph Fiennes, Peter Ustinov, Alfred Molina, Bruno Ganz
Starring: Joseph Fiennes, Peter Ustinov, Alfred Molina, Bruno Ganz, Jonathan Firth, Claire Cox, Benjamin Sadler, Jochen Horst, Torbin Liebrecht
Director: Eric Till
Director: Eric Till
Screenwriter: Camille Thomasson, Bart Gavigan
Producer: Brigitte Rochow
Composer: Richard Harvey
Reviews for Luther
even with apparent lack of objectivity, LUTHER proves to be more interesting and more accurate depiction of history than anything recently produced by Hollywood
Interessante por natureza (o tema é fascinante), o filme perde pontos pela frieza da narrativa e por simplificar idéias e alguns acontecimentos fundamentais na vida de Lutero.
It glosses over the brilliant monk's dark side and ignores his prejudices completely.
Luther is rarely presented as anything other than a preacher. He preaches even in casual conversation.
An effective history lesson, but not nearly riveting enough to be as entertaining as it is earnest.
An entertaining, well-crafted primer on one of the most important Christian leaders since Jesus Christ.
Luther is the textbook radical: he acts out what his contemporaries merely profess.
A few too many amateurish techniques and oversimplified confrontations hold Luther back a notch or two from greatness, and stamp it instead as entertaining Lutheran cheerleading.
Both as a veteran movie reviewer and long-time Lutheran, I left the theater with the feeling that “Luther” is a good movie about a great man.
Shot on 100 locations in three countries and outfitted with impressive props, costumes, art direction and medieval streets, Luther makes up for what it lacks in vigorous storytelling with such production values.
There is some valuable historical detail in the script, but Luther's philosophy is simplified and sanitized. The acting is flat and surprisingly uninvolving.
So concerned with events that it forgoes ideas, and when your subject is famous for his ideas, ignoring them is doing a great disservice.
muddies the historical facts, flatly constructs its major characters as stereotypes, and fails to entertain
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