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The Return (2004)
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Reviews Counted: 73
Fresh: 70
Rotten:3
Average Rating: 8.1/10
Consensus: A suspenseful but perplexing thriller.
Runtime: 1 hr 46 mins
Genre: Dramas
Synopsis: In contemporary Russia young brothers Vanya and Andrey have grown a deep attachment to each other to make up for their fatherless childhood. Running home after a fight with neighborhood kids the... In contemporary Russia young brothers Vanya and Andrey have grown a deep attachment to each other to make up for their fatherless childhood. Running home after a fight with neighborhood kids the boys are shocked to discover their father has returned after a twelve year absence. With their mother's uneasy blessing Vanya and Andrey set out on what they believe will be a fishing vacation with their taciturn father. Though at first ecstatic to be reunited with the father they've only known from a faded photograph, the boys strain under the weight of their dad's awkward and increasingly brutal efforts to make up for a missing decade of parental supervision. Vanya and Andrey find themselves alternately tested, scolded, scrutinized and ignored by their father through a changing series of encounters and hardships. As truck stops and cafés give way to rain-swept, primevally beautiful wildernesscoastline, Vanya's doubts about his father give way to open defiance. Andrey's powerful need to bond with a father he's never known begins, in turn, to distance him from Vanya. Vanya and his father's test of wills escalates into bitter hostility and sudden violence as the trio arrives at their mysterious island destination. The dubious sanctuary of a rickety light tower, the desperate reassurance of a stolen knife, the cryptic allure of a rusting strong box and the fleeting safety of a hastily patched boat give evidence to the ultimately tragic conclusion of Vanya and Andrey's harrowing father and son journey and the heartbreakingly transitory nature of their reunion. -- © Kino International [More]
Starring: Ivan Dobronravov, Vladimir Garin, Konstantin Lavronenko, Natalia Vdovina
Starring: Ivan Dobronravov, Vladimir Garin, Konstantin Lavronenko, Natalia Vdovina
Director: Andrei Zvyagintsev
Director: Andrei Zvyagintsev
Screenwriter: Vladimir Moiseenko, Alexander Novotsky
Producer: Dmitry Lesnevsky
Studio: Kino International
Reviews for The Return
A quiet and disquieting masterpiece which gets under your skin and stays there long after you leave the cinema.
A mythical film about the mysteries of fatherhood as seen from a child's perspective.
Like each episode of Kieslowski's Decalogue, The Return is a small but potent story. It leads us to ask: Is it ever enough to just 'trust and obey'?
A harrowing, elusively biblical account… echoes of Abraham and Isaac, the Gospel parables about fathers and pairs of sons, and the Second Coming.
Si uno se queda sólo en la primera lectura del drama familiar, la experiencia puede ser bastante desconcertante.
Um estudo de personagens cuja força se torna ainda maior em função das belas performances do trio principal.
The Return feels like an experiment designed to find out how much basic plot information you can withhold from an audience and still have an interesting movie.
... an unsentimental film about how childhood lingers until it abruptly ends.
an absorbing psychological drama and coming-of-age story in the guise of a road movie
What begins as a simple road trip becomes a spiritual journey, the classic passage from boy to man.
The story sidesteps all expectations and does not go where you might expect.
To any masochist who's been pining for all those cliched tropes associated with Russian cinema -- ponderous pacing and arcane symbolism shot through a lens darkly -- this will seem a welcome blast from the past.
This solid film tells the story of the brothers Andrey and Ivan. It is not the particular story of these brothers: it is the universal story of kids struggling to grow up.
We’re sent out of the theater unsettled and somewhat mystified by what we saw, but exhilarated to have been in the presence of a truly impressive filmmaking debut.
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