A quiet and disquieting masterpiece which gets under your skin and stays there long after you leave the cinema.
The Return (2004)
Tomatometer
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Reviews Counted:73
Fresh:70
Rotten:3
Average Rating:8.1/10
Consensus: A suspenseful but perplexing thriller.
Runtime: 1 hr 46 mins
Genre: Dramas
Synopsis: In contemporary Russia young brothers Vanya and Andrey have grown a deep attachment to each other to make up for their fatherless childhood. Running home after a fight with neighborhood kids the... In contemporary Russia young brothers Vanya and Andrey have grown a deep attachment to each other to make up for their fatherless childhood. Running home after a fight with neighborhood kids the boys are shocked to discover their father has returned after a twelve year absence. With their mother's uneasy blessing Vanya and Andrey set out on what they believe will be a fishing vacation with their taciturn father. Though at first ecstatic to be reunited with the father they've only known from a faded photograph, the boys strain under the weight of their dad's awkward and increasingly brutal efforts to make up for a missing decade of parental supervision. Vanya and Andrey find themselves alternately tested, scolded, scrutinized and ignored by their father through a changing series of encounters and hardships. As truck stops and cafés give way to rain-swept, primevally beautiful wildernesscoastline, Vanya's doubts about his father give way to open defiance. Andrey's powerful need to bond with a father he's never known begins, in turn, to distance him from Vanya. Vanya and his father's test of wills escalates into bitter hostility and sudden violence as the trio arrives at their mysterious island destination. The dubious sanctuary of a rickety light tower, the desperate reassurance of a stolen knife, the cryptic allure of a rusting strong box and the fleeting safety of a hastily patched boat give evidence to the ultimately tragic conclusion of Vanya and Andrey's harrowing father and son journey and the heartbreakingly transitory nature of their reunion. -- © Kino International [More]
Starring: Ivan Dobronravov, Vladimir Garin, Konstantin Lavronenko, Natalia Vdovina
Starring: Ivan Dobronravov, Vladimir Garin, Konstantin Lavronenko, Natalia Vdovina
Director: Andrei Zvyagintsev
Director: Andrei Zvyagintsev
Screenwriter: Vladimir Moiseenko, Alexander Novotsky
Producer: Dmitry Lesnevsky
Studio: Kino International
Reviews for The Return
A mythical film about the mysteries of fatherhood as seen from a child's perspective.
Hauntingly sombre coming-of-age tale, with just the bare bones of a mystery plot.
The broad theme of abandonment and return, explored in several variations, suggests mythic depths to this story of timeless significance.
It's eerie, deeply unsettling and absolutely, psychologically real; drama in its purest terms, played out in primeval natural settings and atmospherically cinematic terms.
This solid film tells the story of the brothers Andrey and Ivan. It is not the particular story of these brothers: it is the universal story of kids struggling to grow up.
A muted drama of ambivalent dysfunction, an exploration of what the word 'family' means when it carries with it no attached reserve of affection or interconnectedness.
A tense, expertly acted Russian film clouded by its intentional ambiguity.
Zvyagintsev ratchets up the tension with an almost sadistic degree of control.
The stunning feature film debut of Andrey Zvyagintsev, a Russian director who here renews the grand tradition of Russian cinematic mysticism epitomized by Andrei Tarkovsky.
Enriched by allusions to biblical stories of fathers, sons, and sacrifices, subtly woven into the movie's moodily photographed fabric.
This is a remarkably poignant and stylishly elegant film, especially for a debut.
Part road trip, part survivalist adventure and part battle of wills as seen through the eyes of the boys.
Seethes with tumultuous inner life, and the questions it asks, and serenely refuses to answer, are ancient, fundamental and resolutely non-psychological.
Si uno se queda sólo en la primera lectura del drama familiar, la experiencia puede ser bastante desconcertante.
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