An enveloping drama in which the camera speaks as eloquently as any dialogue and the performances are grounded in the bedrock of experience.
The Return (2004)
Tomatometer
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Reviews Counted:73
Fresh:70
Rotten:3
Average Rating:8.1/10
Consensus: A suspenseful but perplexing thriller.
Runtime: 1 hr 46 mins
Genre: Dramas
Synopsis: In contemporary Russia young brothers Vanya and Andrey have grown a deep attachment to each other to make up for their fatherless childhood. Running home after a fight with neighborhood kids the... In contemporary Russia young brothers Vanya and Andrey have grown a deep attachment to each other to make up for their fatherless childhood. Running home after a fight with neighborhood kids the boys are shocked to discover their father has returned after a twelve year absence. With their mother's uneasy blessing Vanya and Andrey set out on what they believe will be a fishing vacation with their taciturn father. Though at first ecstatic to be reunited with the father they've only known from a faded photograph, the boys strain under the weight of their dad's awkward and increasingly brutal efforts to make up for a missing decade of parental supervision. Vanya and Andrey find themselves alternately tested, scolded, scrutinized and ignored by their father through a changing series of encounters and hardships. As truck stops and cafés give way to rain-swept, primevally beautiful wildernesscoastline, Vanya's doubts about his father give way to open defiance. Andrey's powerful need to bond with a father he's never known begins, in turn, to distance him from Vanya. Vanya and his father's test of wills escalates into bitter hostility and sudden violence as the trio arrives at their mysterious island destination. The dubious sanctuary of a rickety light tower, the desperate reassurance of a stolen knife, the cryptic allure of a rusting strong box and the fleeting safety of a hastily patched boat give evidence to the ultimately tragic conclusion of Vanya and Andrey's harrowing father and son journey and the heartbreakingly transitory nature of their reunion. -- © Kino International [More]
Starring: Ivan Dobronravov, Vladimir Garin, Konstantin Lavronenko, Natalia Vdovina
Starring: Ivan Dobronravov, Vladimir Garin, Konstantin Lavronenko, Natalia Vdovina
Director: Andrei Zvyagintsev
Director: Andrei Zvyagintsev
Screenwriter: Vladimir Moiseenko, Alexander Novotsky
Producer: Dmitry Lesnevsky
Studio: Kino International
Reviews for The Return
Zvyagintsev talks about boys needing their fathers and couches it in terms poetic and mesmerizing.
Zvyagintsev ratchets up the tension with an almost sadistic degree of control.
Does not conceal information from the audience, which would be a technique of manipulation, but from the boys, which is a technique of drama. The movie is not about the father's purpose but the boys' confusion and alarm.
...a brooding, beautiful story that works in the tradition of Russian great Andrei Tarkovsky.
A stunning contemporary fable about a divided family in the wilderness -- a simple, riveting film that almost achieves greatness.
This is a remarkably poignant and stylishly elegant film, especially for a debut.
A tense, expertly acted Russian film clouded by its intentional ambiguity.
Shimmers with imagination and endless possibility -- when it's over, you feel like you've seen something important, perhaps the birth of a new filmmaking talent.
Russian director Andrey Zvyagintsev makes an accomplished feature debut here, answering the viewer's questions either slowly or not at all
The broad theme of abandonment and return, explored in several variations, suggests mythic depths to this story of timeless significance.
Spare and allegorical in the best senses of the terms, The Return can be likened to both Faulkner and Dostoevski. It has the mournful tenor and psychological complexity of the former, the fatalism and grim irony of the latter.
Frustrating and tantalizing. View the film as a piece of art, a Hitchcockian thriller, a Lynchian non-sequitur, or a double coming-of-age story -- but don't miss it.
[In The Return] there is a complexity the goes beyond the battle of wills between father and son and opens up a very moving coming of age treatise, too.
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