Handsomely staged, ingeniously plotted and played with evident enjoyment, this is mainstream arthouse at its most entertaining.
Bon Voyage (2004)
Tomatometer
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Reviews Counted:93
Fresh:71
Rotten:22
Average Rating:6.7/10
Consensus: It's froth, but stylish and giddily entertaining.
Theatrical Release:14-05-2004
Synopsis: Set in 1940s France in the moments before the German occupation of Paris during World War II, Jean-Paul Rappeneau's lively farce BON VOYAGE combines a murder mystery, a political drama, and a... Set in 1940s France in the moments before the German occupation of Paris during World War II, Jean-Paul Rappeneau's lively farce BON VOYAGE combines a murder mystery, a political drama, and a series of madcap subplots including a secret scientific discovery and a gathering of socialites at Bordeaux's Hotel Splendide. The result is a picturesque period piece full of energy, adventure, and breathtaking scenery. Dynamic performances from an all-star cast that includes Gerard Depardieu, Isabelle Adjani, and Gregori Derangere complete this delightfully pert film. Forced to flee Paris as the Germans advance, a mismatched group of oddly acquainted personalities reassemble in Bordeaux. Viviane (Adjani) is a stunning film actress whose talents are used both on-screen and off. She swiftly seduces the French prime minister, Beaufort (Depardieu), on the eve of WWII--a convenient catch in wartime. However, her former flame Frederic (Derangere), who Viviane neatly framed and sent to prison for a murder she committed, is now free and is still pursuing her. Frederic's jailbreak buddy Raoul (Yvan Attal), is also in tow, with nothing but trouble up his sleeve. Meanwhile, a pretty physics student, Camille (Virginie Ledoyen) tempts the hearts of both ex-cons, while protecting her professor and their scientific discovery, which must not fall into German hands. Waiting on the wings is the suspicious journalist Winckler (Peter Coyote), whose sneaky demeanor is only matched by Thierry (Nicolas Vaude), the revenge-crazed nephew of the man Viviane murdered. [More]
Starring: Isabelle Adjani, Gerard Depardieu, Virginie Ledoyen, Yvan Attal
Starring: Isabelle Adjani, Gerard Depardieu, Virginie Ledoyen, Yvan Attal, Gregori Derangere, Jean-Marc Stehle, Peter Coyote, Aurore Clement, Xavier de Guillebon, Edith Scob, Michel Vuillermoz, Nicolas Pignon, Nicolas Vaude
Director: Jean-Paul Rappeneau
Director: Jean-Paul Rappeneau
Screenwriter: Patrick Modiano, Jerome Tonnerre
Producer: Michele Petin, Laurent Petin
Composer: Gabriel Yared
Studio: Sony Pictures Classics
Reviews for Bon Voyage
It's a rollicking adventure yarn with a stellar cast and an engaging Hitchcockian flavour.
The bustling structure keeps us gripped, even though there's too much going on.
It's nice to look at, with an attractive cast and lush production design, but it sacrifices some character depth and charm for a sprawling scope and swift pace.
The generally light tone of Bon Voyage is the result of intense concentration on the part of Mr. Rappeneau and his collaborators.
Despite its serious premise, film offers enough light-hearted entertainment and quirky performances to endear fans of French cinema.
If you've got a hankering for a bullet-flinging, romantic, film noir roller coaster, Bon Voyage is the ticket.
It's a marvel of silly improbability, serious historical criticism and romantic intrigue.
Are you ready for a World War II, romantic, murder-in-Act-One, escape-from-the-Nazis, French farce?
A film with a lot of energy -- more energy than substance, in fact. An average trip for hardcore foreign film aficionados.
It's persuasively performed by a potent ensemble and artfully directed by Jean-Paul Rappeneau.
The movie is great fun. It offers the plush sense of relaxation that only smooth professionalism can deliver.
Isabelle Adjani owns this movie... her every mannerism screams diva. It's a juicy role and she plays it for all it's worth.
This is a they-don't- make-'em- like-that- anymore movie, one that only wants to give us a couple of hours of uncomplicated fun.
No more than a shallow, style-mad entertainment, but it never flags or loses its balance, and, despite the theatricality of the staging and the acting, it's precisely the materiality of the cinema ... that makes us devour it with pleasure.
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