Rarely is dystopian cyberpunk so inventive, so multi-faceted, or so strange.
Immortal (2005)
Tomatometer
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Reviews Counted:7
Fresh:3
Rotten:4
Average Rating:5.1/10
Runtime: 1 hr 42 mins
Genre: Science-Fiction/Fantasy
Synopsis: The New York of 2095 retains some of its past majesty, such as the Empire State Building, and many other skyscrapers. But the skyline is principally dominated by a huge floating pyramid that has... The New York of 2095 retains some of its past majesty, such as the Empire State Building, and many other skyscrapers. But the skyline is principally dominated by a huge floating pyramid that has appeared, apparently sent by ancient Egyptian Gods. This is the scenario that director Enki Bilal sets for his film, IMMORTAL, which was among the first to shoot actors playing out their entire roles against a blue screen, then depositing them in a computer-generated environment in post-production. The pyramid has appeared in the skyline so the Gods can rid themselves of Horus (Thomas M. Pollard), who scours Manhattan for a suitable human body to inhabit. As he searches for a mate, Horus's life is irrevocably thrown together with a strange, blue-haired girl who is embarking on a quest that mirrors the hero's own. A sci-fi epic that resembles genre favorites such as THE FIFTH ELEMENT and THE MATRIX, Bilal based the action on his own comic strips, producing an innovative, action-packed movie in the process. [More]
Starring: Linda Hardy, Thomas Kretschmann, Charlotte Rampling, Thomas M. Pollard
Starring: Linda Hardy, Thomas Kretschmann, Charlotte Rampling, Thomas M. Pollard
Director: Enki Bilal
Director: Enki Bilal
Reviews for Immortal
It is rare that a film offers so much to see and so little to think about. We look at a CGI world made of ones and zeros watching a story made mostly of zeroes.
Immortal is as incoherent a story as you’ll ever find. But it sure is pretty.
Mergulhando totalmente em um universo criado em computador, o filme conta com um visual impressionante que acaba compensando o roteiro confuso.
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