Attal has a way of interweaving his characters' real lives and inner thoughts into the fabric of his film in inventive and engaging ways.
Happily Ever After (2005)
Tomatometer
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Reviews Counted:40
Fresh:23
Rotten:17
Average Rating:6/10
Consensus: Though this French film features good acting, it lacks the wit and charm one would expect to see.
Runtime: 1 hr 45 mins
Genre: Foreign Films
Synopsis: Yvan Attal writes, directs, and stars in this meditation on extra-marital affairs. When he and his wife (Charlotte Gainsbourg) find they are both attracted to other people, even though they are... Yvan Attal writes, directs, and stars in this meditation on extra-marital affairs. When he and his wife (Charlotte Gainsbourg) find they are both attracted to other people, even though they are happily married with a young son, their whole relationship comes under reconsideration. Meanwhile, other couples in midlife explore similar predicaments. [More]
Starring: Yvan Attal, Charlotte Gainsbourg, Alain Chabat, Emmanuelle Seigner
Starring: Yvan Attal, Charlotte Gainsbourg, Alain Chabat, Emmanuelle Seigner, Alain Cohen, Anouk Aimée
Director: Yvan Attal
Director: Yvan Attal
Screenwriter: Yvan Attal
Producer: Claude Berri
Reviews for Happily Ever After
Attal knows that no matter how adult we feel when we say, 'I do,' marriage is all child's play: jealousy, lies and pure, unconditional love. Perplexing, but not a bad option.
If you ever get a chance to see Happily Ever After at any venue and in any form, drop everything and see it.
...But, for the most part, Attal’s psychological insights and his skill with actors...draw us into the characters’ lives, in ways that are never less than sympathetic.
A meditation on the joys and frustrations of monogamy that manages to be a diverting and funny character study at least most of the time.
Like the story, the camerawork in Happily Ever After is loose, fluid and intent on discovery; it lets characters' moments together and alone unfurl easily and casually in a way that Hollywood seems to want to avoid like failure.
The story in the French Happily Ever After is about as exciting as that bland, mistranslated title. But the filmmaking? Very exciting.
This is a fetching piece of work, both comical and savvy, and Gainsborough's brisk, forward intelligence rescues Gabrielle from snags of marital self-pity.
Happily Ever After is never as insightful or as funny as Woody at his best. But the film has a fine-tuned approach to human behavior.
A delightful French film about the different shades of love and lust as experienced by a married couple and the husband's two best friends.
Scenes of impressive subtlety and thoughtfulness centering around the pensive Gabrielle [Charlotte Gainsbourg] are overshadowed by the antics of the middle-aged men.
Attal taps into that unexpectedness -- the inability of just one person to captain the course of a relationship no matter how hard they try -- and he plays it for all it's worth.
Attal is creative in crafting cinematic mood, using focus and camera movements to subtly but deftly enhance and even anticipate emotions.
In a world filled with empty lust and marital discord, Yvan Attal’s wistful comedy is about a guy who loves his wife.
Whether any of them will live happily ever after is a question you're left pondering long after this challenging film comes to a close.
The picture is neither comedy nor drama but an irridescent blending of the two, like the complex sky of a Turner painting.
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