As successful as Haggis is, the movie is still flawed. Worst of all, it is very contrived.
Crash (2005)
Tomatometer
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Reviews Counted:194
Fresh:146
Rotten:48
Average Rating:7.1/10
Consensus: A raw and unsettling morality piece on modern angst and urban disconnect, Crash examines the dangers of bigotry and xenophobia in the lives of interconnected Angelenos.
Theatrical Release:12-08-2005
Synopsis: A Brentwood housewife and her DA husband. A Persian store owner. Two police detectives who are also lovers. A black television director and his wife. A Mexican locksmith. Two car-jackers. A rookie... A Brentwood housewife and her DA husband. A Persian store owner. Two police detectives who are also lovers. A black television director and his wife. A Mexican locksmith. Two car-jackers. A rookie cop. A middle-aged Korean couple… They all live in Los Angeles. And in the next 36 hours, they will all collide… A provocative, unflinching look at the complexities of racial conflict in America, CRASH is that rare cinematic event - a film that challenges audiences to question their own prejudices. Diving headlong into the diverse melting pot of post-9/11 Los Angeles, this compelling urban drama tracks the volatile intersections of a multi-ethnic cast, examining fear and bigotry from multiple perspectives as characters careen in and out of one another's lives. No one is safe in the battle zones of racial strife. And no one is immune to the simmering rage that sparks violence - and changes lives... Funny, powerful, and always unpredictable, CRASH boldly explores the gray area between black and white, victim and aggressor…and finds no easy solutions. The dynamic feature directing debut of Emmy Award-winning writer/producer Paul Haggis, CRASH stars Sandra Bullock, Don Cheadle, Matt Dillon, Jennifer Esposito, William Fichtner, Brendan Fraser, Terrence Howard, Chris "Ludacris" Bridges, Thandie Newton, Ryan Phillippe and Larenz Tate, from a story by Paul Haggis and a screenplay by Haggis and Bobby Moresco. CRASH is produced by Cathy Schulman, Don Cheadle, Bob Yari, Mark R. Harris, Bobby Moresco and Paul Haggis. [More]
Starring: Thandie Newton, Matt Dillon, Don Cheadle, Michael Pena
Starring: Thandie Newton, Matt Dillon, Don Cheadle, Michael Pena, Sandra Bullock, Jennifer Esposito, Brendan Fraser, Larenz Tate, Ludacris, Ryan Phillippe, Terrence DaShon Howard, Shaun Toub
Director: Paul Haggis
Director: Paul Haggis
Screenwriter: Paul Haggis, Robert Moresco
Producer: Cathy Schulman, Don Cheadle, Bob Yari
Composer: Mark Isham
Studio: Lions Gate Films
Reviews for Crash
Crash has a lot on its mind and, unlike most movies these days, a lot of it is worth hearing.
The contrivances of first-time director Paul Haggis's script ultimately hurt the film but this Crash is still worth a curious drive-by look.
The L.A. of Crash is a distorted scale model of the city that [writer-director Paul] Haggis treats as if it were the city itself.
It’s apt that Haggis’ most recent cinematic effort concentrated on boxing; he is just as eager to pound us over the head in Crash.
Some may find the film too melodramatic, but the core topic demands attention.
The film is eager to boil blood and encourage discussion, which it should do, yet never loses sight of its overall obligation to entertain.
[Tackles] everyone's least favorite unsavory subject: racism. And, thank its ambitious heart, Crash covers it from as many angles and through as many levels as possible
The film packs a reflective emotional wallop in spite of its contrived coincidences.
Incendiary writing - the epithets make you squirm in post-PC nervousness in your seat, or make you hear yourself (or your friends, enemies) in the mouths of these actors.
Le plus gros problème de Crash, est de ne pas avoir réussi à dire grand chose, malgré en avoir montré beaucoup.
For a movie that aches to be thought-provoking, Crash is ultimately too simplistic to linger on in the memory.
a finely acted and directed story that lays bares in so many ways how race informs our everyday experiences, whether we want it to or not
After mugging us with racial disintegration, Haggis attempts an infusion of hope.
Believe it or not, this is a lot like "Pooh's Heffalump Movie." It's just that the demographic age of the audience is vastly different.
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