[Has a] spirited and talented ensemble cast, which Haggis directs with sensitivity.
Crash (2005)
Tomatometer
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Reviews Counted:194
Fresh:146
Rotten:48
Average Rating:7.1/10
Consensus: A raw and unsettling morality piece on modern angst and urban disconnect, Crash examines the dangers of bigotry and xenophobia in the lives of interconnected Angelenos.
Theatrical Release:12-08-2005
Synopsis: A Brentwood housewife and her DA husband. A Persian store owner. Two police detectives who are also lovers. A black television director and his wife. A Mexican locksmith. Two car-jackers. A rookie... A Brentwood housewife and her DA husband. A Persian store owner. Two police detectives who are also lovers. A black television director and his wife. A Mexican locksmith. Two car-jackers. A rookie cop. A middle-aged Korean couple… They all live in Los Angeles. And in the next 36 hours, they will all collide… A provocative, unflinching look at the complexities of racial conflict in America, CRASH is that rare cinematic event - a film that challenges audiences to question their own prejudices. Diving headlong into the diverse melting pot of post-9/11 Los Angeles, this compelling urban drama tracks the volatile intersections of a multi-ethnic cast, examining fear and bigotry from multiple perspectives as characters careen in and out of one another's lives. No one is safe in the battle zones of racial strife. And no one is immune to the simmering rage that sparks violence - and changes lives... Funny, powerful, and always unpredictable, CRASH boldly explores the gray area between black and white, victim and aggressor…and finds no easy solutions. The dynamic feature directing debut of Emmy Award-winning writer/producer Paul Haggis, CRASH stars Sandra Bullock, Don Cheadle, Matt Dillon, Jennifer Esposito, William Fichtner, Brendan Fraser, Terrence Howard, Chris "Ludacris" Bridges, Thandie Newton, Ryan Phillippe and Larenz Tate, from a story by Paul Haggis and a screenplay by Haggis and Bobby Moresco. CRASH is produced by Cathy Schulman, Don Cheadle, Bob Yari, Mark R. Harris, Bobby Moresco and Paul Haggis. [More]
Starring: Thandie Newton, Matt Dillon, Don Cheadle, Michael Pena
Starring: Thandie Newton, Matt Dillon, Don Cheadle, Michael Pena, Sandra Bullock, Jennifer Esposito, Brendan Fraser, Larenz Tate, Ludacris, Ryan Phillippe, Terrence DaShon Howard, Shaun Toub
Director: Paul Haggis
Director: Paul Haggis
Screenwriter: Paul Haggis, Robert Moresco
Producer: Cathy Schulman, Don Cheadle, Bob Yari
Composer: Mark Isham
Studio: Lions Gate Films
Reviews for Crash
[H]olds up a mirror to reality that is so incisive and so harshly honest that, at moments, it sears right through you and jolts you with its wisdom.
I left the theater feeling like the victim of a hit-and-run civics lesson.
One indication that a movie is REALLY good is being unable to stop thinking about it.
This is a taut, thought-provoking thriller that demands to be seen on the big screen.
I'd be much more inclined to completely accept the importance of Crash if it didn't have 'Oscar Bait' written all over it.
While strides have been made in this country’s race relations, Crash brings to the forefront the prejudices and stereotypes that often remain unspoken.
It’s too bad that the movie induces eyeball-rolling almost as much as it does armrest-clutching.
Racism in LA is hardly a new subject ... but it's an issue well worth revisiting as it remains the ugly underbelly of American society
The appeal of the film comes from Haggis’ ability to reveal prejudices by forcing us to confront them on an inescapably human level.
Most racially themed movies want to act as a naive balm, but not this one.
it's hard to write a review when there is so much you want to hate about a movie, and yet it gives you so much to like.
A brilliantly executed series of interlocking stories about race and prejudice. The story constantly defies expectations as it follows its multifaceted characters.
Haggis is not quite yet gifted enough to pull it all together in Crash, but that doesn’t mean that he someday soon won’t be.
Manipulative and self-defeating, Crash resembles race-baiting PT Anderson fare or if Altman got stuck in the mid-80's.
Haggis is undoubtedly skilled at setting up effective melodramatic vignettes, even if they are hopelessly inorganic.
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August 30, 2008:
A film teeming with solemn recognition of the nasty complexities of living in a multicultural society, and much of what remains unspoken racially in America being neatly shoved under a complacent rug. ![]()
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