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The Wall (2004)
Runtime: 1 hr 36 mins
Synopsis: Simone Bitton, director of this thoughtful documentary, was born in Morocco to Jewish parents. She speaks Arabic, French, and Hebrew, identifies as both an Arab and a Jew, and finds herself entirely conflicted by the barrier being erected along the border between Israel and Gaza. The film is... Simone Bitton, director of this thoughtful documentary, was born in Morocco to Jewish parents. She speaks Arabic, French, and Hebrew, identifies as both an Arab and a Jew, and finds herself entirely conflicted by the barrier being erected along the border between Israel and Gaza. The film is essentially a rumination upon the wall, as both a metaphor and a very real manifestation of the region's turmoil. Bitton's camera lingers upon its construction and immense presence while interviews with those it effects--on both sides--establish the many ways the wall touches those who live in its shadow. Many of the interviewees refuse to be filmed, afraid of the consequences of speaking their minds, and only their voices and names are heard. Ironies abound, including the fact that the wall, still under construction in many areas, is being built in large part by Arabs. When Bitton asks the foreman why they would want to build a wall around themselves, he blithely states that it's good for them, it gives them jobs and keeps them fed; the question of the wall's consequences is deftly avoided. Similarly, the Minister of Defense delivers Bitton a well-constructed line, glibly acknowledging the wall's environmental toll before asserting that "it's all the Palestinians' fault." Meanwhile, civilians on both sides of the barrier make known their belief that the construction is very much a waste of money, and at two million dollars per kilometer, it's hard not to agree. Many are dismissive of the possibility that so much strife could actually be placated by this simple measure. Noting that the building of walls will not solve anything, the residents of this area express their wish to instead break them down, to end their lives of fear and hatred, in a poignant rendering of daily experience in the shadow of conflict. [More]
Genre: Foreign Films
DVD Info
Release:
Oct 11, 2006
DVD Features:
- Region (unknown)
- Keep Case
- Widescreen - 1.85
Audio:
- (unspecified) - Arabic
- Subtitles - English
Reviews
[There are] numerous shots %u2013 some of them several minutes long %u2013 when there is no talk on the soundtrack....they may be an attempt at some kind of poetic meditation, but they merely come across as dull.
Bitton poses the important questions, but too often she lets powerful responses get lost amid footage that lingers forever on some mundane location shot while interviews are happening mostly off camera.
The problem I have is that it stretches out the minutes like the wall stretches out for miles. It’s an interesting subject that would be better served as a documentary short.
While all this might have made for a potent short subject, the abstract visual monotony begins to wear thin shortly into the 98-minute running time.
Bitton is Frederick Wiseman-obsessive about the practical details that make this horrific arrangement work, but she's also an unabashed polemicist.
Allows audience members to make up their own minds about the efficacy and morality of the wall separating Israel from the West Bank.
Her film does, however, brilliantly demonstrate how this barricade is a metaphor for all that is wrong in the area. Sadly, it’s a concrete metaphor.
Bitton slyly layers numerous interviews with locals atop the visuals, infusing each scene with an unexpectedly potent context.
The strongest moments of this remarkable film are the quietest, when Bitton simply lets the camera run.
A flawed work, to be certain, but the subject demands attention.
A documentary about the modern Israeli Maginot Line that keeps peace at bay as effectively as it limits terrorists.


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