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Capote (2005)
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Reviews Counted:178
Fresh:160
Rotten:18
Average Rating:8.2/10
Consensus: Philip Seymour Hoffman's riveting central performance guides a well-constructed retelling of the most sensational and significant period in author Truman Capote's life.
Rated: 15 [See Full Rating] for some violent images and brief strong language
Runtime: 1 hr 54 mins
Genre: Dramas
Theatrical Release:24-02-2006
Synopsis: In November, 1959, Truman Capote (Philip Seymour Hoffman), the author of Breakfast at Tiffany's and a favorite figure in what is soon to be known as the Jet Set, reads an article on a back page of... In November, 1959, Truman Capote (Philip Seymour Hoffman), the author of Breakfast at Tiffany's and a favorite figure in what is soon to be known as the Jet Set, reads an article on a back page of the New York Times. It tells of the murders of four members of a well-known farm family—the Clutters—in Holcomb, Kansas. Similar stories appear in newspapers almost every day, but something about this one catches Capote's eye. It presents an opportunity, he believes, to test his long-held theory that, in the hands of the right writer, non-fiction can be compelling as fiction. What impact have the murders had on that tiny town on the wind-swept plains? With that as his subject—for his purpose, it does not matter if the murderers are never caught—he convinces The New Yorker magazine to give him an assignment and he sets out for Kansas. Accompanying him is a friend from his Alabama childhood: Harper Lee (Catherine Keener), who within a few months will win a Pulitzer Prize and achieve fame of her own as the author of To Kill a Mockingbird. Though his childlike voice, fey mannerisms and unconventional clothes arouse initial hostility in a part of the country that still thinks of itself as part of the Old West, Capote quickly wins the trust of the locals, most notably Alvin Dewey (Chris Cooper), the Kansas Bureau of Investigation agent who is leading the hunt for the killers. Caught in Las Vegas, the killers—Perry Smith (Clifton Collins Jr.) and Dick Hickock (Mark Pellegrino)—are returned to Kansas, where they are tried, convicted and sentenced to die. Capote visits them in jail. As he gets to know them, he realizes that what he had thought would be a magazine article has grown into a book, a book that could rank with the greatest in modern literature. His subject is now as profound as any an American writer has ever tackled. It is nothing less than the collision of two Americas: the safe, protected country the Clutters knew and the rootless, amoral country inhabited by their killers. Hidden behind Capote's often frivolous façade is a writer of towering ambition. But even he wonders if he can write the book—the great book—he believes destiny has handed him. "Sometimes, when I think how good it could be," he writes a friend, "I can hardly breathe." -- © Sony Pictures Classics [More]
Starring: Philip Seymour Hoffman, Catherine Keener, Clifton Collins, Chris Cooper
Starring: Philip Seymour Hoffman, Catherine Keener, Clifton Collins, Chris Cooper, Bob Balaban, Bruce Greenwood, Amy Ryan, Mark Pellegrino, Dan Futterman
Director: Bennett Miller
Director: Bennett Miller
Producer: Michael Ohoven, William Vince, Caroline Baron, Dana Kimmell
Studio: Sony Pictures Classics
Reviews for Capote
Hoffman is terrific in the lead role, brilliantly capturing Capote's unusual, high pitched voice and camp mannerisms, while also hinting at the calculating darkness of the man within.
Hoffman finally gets the leading role he deserves, and he nails it perfectly.
I am aware that virtually every critic in America if not on the planet has lauded Hoffman's portrayal of the author and that I am in the minority. Watching Hoffman I felt something primal was missing from his interpretation ... To my mind, Hoffman's work
Dull. “The Tiny Terror” is presented as uninteresting and a watered-down passive-aggressive writer for our PC consumption.
Bennett Miller's film is a fascinating and fine-grained reconstruction of the period in which Truman Capote wrote In Cold Blood.
...the film itself is mere background dressing to Hoffman's savviest performance to date.
[W]hatever advantage the moviemakers gain from their knowing detachment [from their impish, narcissistic protagonist] is discounted by the fact that they take for granted the greatness of In Cold Blood.
Capote is the movie that will make Philip Seymour Hoffman a star, while posthumously turning the man it was named after into a monster.
Hoffman's Capote, in any situation, in any company, is always himself, irresistible, infuriating, and ultimately inscrutable beneath the carefully calibrated veneer that could just as easily hide a heart too easily bruised or one made entirely of ice
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