'Rock 'n' Roll High School' rejiggered for idealists, with the youngsters mobilizing for gay rights and freedom of speech instead of sneaking off to the Ramones.
Kids in America (2005)
Tomatometer
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Reviews Counted:33
Fresh:6
Rotten:27
Average Rating:4.2/10
Runtime: 1 hr 31 mins
Genre: Comedies
Synopsis: Based on real events, Kids In America is a teen comedy about a diverse group of high school kids who band together to peacefully kick their principal's ass. Boasting an impressive cast of both... Based on real events, Kids In America is a teen comedy about a diverse group of high school kids who band together to peacefully kick their principal's ass. Boasting an impressive cast of both established stars and hot new talent, "Kids" tackles such issues as sex education, freedom of speech, and how to kiss for six minutes straight without losing consciousness from lack of oxygen. Holden Donovan (Gregory Smith) is fed up with Principal Weller (Julie Bowen) who goes to great lengths to stop the students from exercising their right to free expression. She expels a young woman for passing out condoms and advocating safe sex on national “safe sex” day and suspends two boys who were kissing in the hallway. Meanwhile, she is running for the Superintendent of their school district, which will give her a chance to practice her brand of administration beyond Booker High School. The students have an ally in Mr. Drucker (Malik Yoba) one of their teachers who encourages them to fight for their rights. He pays a price for his leadership and is fired by Principal Weller. He decides to use his dismissal to make a change of his own, by producing a documentary chronicling the experiences of students who are faced with similar issues. As the story unfolds, Donovan befriends a group of kids including love interest Charlotte (Stephanie Sherrin), Lawrence, Chuck, Walanda, Emily and Katie. Together they organize the student body to take on Weller and make real change at Booker High. --© Official Site [More]
Starring: Samantha Mathis, Elizabeth Perkins, Gregory Smith, Crystal Grant
Starring: Samantha Mathis, Elizabeth Perkins, Gregory Smith, Crystal Grant, Julie Bowen, Malik Yoba, Andrew Shaifer, Nicole Richie, George Wendt, Adam Arkin, Rosanna Arquette
Director: Josh Stolberg
Director: Josh Stolberg
Screenwriter: Josh Stolberg, Andrew Shaifer
Producer: Andrew Shaifer
Reviews for Kids in America
Would be easier to root for if it weren't so very pleased with itself.
Even after 18 years of seeing every movie that plays here, I’m still surprised by some films. I even gave this one conflicting ratings.
A comedy so inane and tedious that it buries its premise and its various worthy points under too many arch and improbable shenanigans and endless dialogue, much of it seriously under-inspired.
Like a bad episode of 'Saved by the Bell: the Next Generation' as filtered through 'Free to Be, You and Me'
You know all those 'brainless high school comedies'? Here's what one would look like if it had brains.
Short on real teenage angst and emotion, the film is long on caricatures.
A trite teen comedy burdened with lofty aspirations of rallying adolescent audiences to political action.
For sheer nerve, I give it full marks, even if it can't quite overcome its limitations in other areas.
Josh Stolberg's mild-mannered satire imagines that teenage rebellion in the Bush era has gone soft.
An anti-Bush, pro-First Amendment, completely ridiculous fight-the-power comedy that happens to have been inspired by actual events.
It's baffling how a movie that cries on the behalf of idealistic, misunderstood teenagers could portray its heroes so one-dimensionally and anyone on the opposite side as a ruthless Neanderthal.
Filmmaker Josh Stolberg claims to have been inspired by real-life events, but mostly he ineptly rips off other movies and wastes a cast that includes Rosanna Arquette, Adam Arkin and Elizabeth Perkins.
This indie teen movie is like a cafeteria lunch tray: lots of little compartments, with nothing particularly appetizing in any of them.
Leaving the expression of 17 year-olds to the care of 35 year-old men is a good pathway to mediocrity, and a sure promise of insufferable, bogus screenwriting.
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